谭盾作品《双阕》的二胡演奏技术与艺术特征探究

发布时间：2018-04-26 00:32

本文选题：谭盾 + 《双阕》　；参考：《西安音乐学院》2017年硕士论文

【摘要】：二胡,我国最具代表性,也是最具有表现力的民族乐器之一,历史悠久。这一千多年以来,二胡多作为戏曲音乐的伴奏乐器出现在人们的视野中,一直到近代,以刘天华先生为始祖的现代派,借鉴和吸收西方的教育模式、作曲手法、演奏技术,进一步提高了二胡的艺术内涵,从而使二胡成为一件独特的独奏乐器。本文通过研究谭盾先生的作品《双阕》,对谭盾先生的创作手法与创作理念及其来源做了简要的阐述,对《双阕》这首作品的曲式结构进行了分析,对此曲中现代技法与传统音乐元素的融合进行分析。并从二胡学习者的角度出发,阐述了演奏该作品的一些难点和要点。希望能够对当代二胡演奏艺术的发展和提高作出一点贡献。
[Abstract]:Erhu, one of the most representative and expressive national instruments in China, has a long history. For more than a thousand years, Erhuduo, as an accompaniment to traditional opera music, appeared in people's vision, until modern times, the modernist school, whose ancestor was Mr. Liu Tianhua, drew lessons from and absorbed Western educational models, composition techniques, and playing techniques. Further improve the artistic connotation of erhu, thus making Erhu a unique solo instrument. In this paper, the author makes a brief exposition on the creative technique, the creative idea and the origin of the works of Mr. Tan Dun by studying the works of Mr. Tan Dun, and analyzes the structure of the musical form of the first piece of "Shuangyou". The integration of modern techniques and traditional music elements in this song is analyzed. From the perspective of erhu learners, this paper expounds some difficulties and key points in playing this work. Hope to make a little contribution to the development and improvement of contemporary erhu performance art.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.21

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