不同艺术维度下的歌唱文化比较

发布时间：2018-04-30 16:19

  本文选题：跨界歌唱 + 跨借　； 参考：《四川戏剧》2016年12期

【摘要】："跨界歌唱"以新颖的表现形式,多种多样的表达方式,在艺术舞台中频频出现,给观众留下了深刻的印象和独特的艺术感受。而从学术角度来讲,很多人对于"跨界歌唱"的属性和概念认识存在误区。我们通过思考,将广义的"跨界歌唱"划分为"跨界"与"跨借"两种存在方式,并从文化层面进行具体的对比说明。通过对二者文化特征、文化价值以及文化与教育传播方面的仔细对比分析,力求揭示何谓真正的"跨界",并对二者的文化属性和发展前景等方面形成一定的学术认识。
[Abstract]:Cross-border singing, with its novel forms and various expressions, frequently appears on the art stage, leaving a deep impression and a unique artistic feeling to the audience. From the academic point of view, many people have misunderstandings about the nature and concept of cross-border singing. Through thinking, we divide the broad sense of "cross-border singing" into "cross-border" and "cross-borrowing" two ways of existence, and make a concrete comparison from the cultural level. Through careful comparison and analysis of their cultural characteristics, cultural values and cultural and educational communication, this paper tries to reveal what is really "crossing the border", and forms a certain academic understanding of their cultural attributes and development prospects.
【作者单位】： 河南理工大学音乐学院;
【分类号】：J616
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本文编号：1825263