《琴论》作者新考

发布时间：2018-05-06 17:01

  本文选题：谢庄 + 谢希逸　； 参考：《中国音乐》2017年03期

【摘要】：谢希逸《琴论》最早见载于北宋郭茂倩《乐府诗集》,古今多以为谢希逸即刘宋谢庄,因而将题为谢希逸的著作均归谢庄名下。早前刘大杰先生曾提出质疑,但未被采纳。现于琴学资料中找出谢希逸佚文一篇,并结合其余几篇为研究者忽视的谢希逸作品,与历代目录书对照发现署名谢希逸的琴书晚至宋代才出现,且书中多涉唐宋琴事,与谢庄身世不符。从而证实谢希逸真有其人,历代文学史、琴史及目录所载《琴论》等作者刘宋谢庄当为宋人谢希逸。
[Abstract]:Xie Xiyi's Qin Theory was first found in Guo Maoqian's Book of songs of Yuefu in the Northern Song Dynasty, and Xie Xiyi was regarded as Xie Xiezhuang in ancient and modern times, so the works entitled Xie Xiyi were owned by Xie Zhuang. Earlier, Mr Liu Dajie had questioned, but was not accepted. Now we find out one piece of Xie Xiyi's lost article in the literature of piano science, and combine the other works of Xie Xiyi, which are neglected by the researchers, and find that the Qin book signed by Xie Xiyi didn't appear until the Song Dynasty, and it is more concerned with the Qin in Tang and Song dynasties. It doesn't match the experience of Xie Zhuang. It is proved that Xie Xieyi is a native of Song Dynasty. The author Liu Song Xiezhuang is Xie Xiyi of Song Dynasty in the history of literature, the history of Qin and the catalogue.
【作者单位】： 浙江大学;
【基金】：浙江省哲学社会科学规划立项课题《宋代以来琴派研究》(项目编号:13JDSX01YB)阶段性成果
【分类号】：J609.2
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本文编号：1853125