谈谈口述音乐史的几个问题——基于与梁茂春教授的对话

发布时间：2018-06-08 22:41

本文选题：口述音乐史 + 梁茂春　；参考：《黄钟(武汉音乐学院学报)》2017年03期

【摘要】：通过与梁茂春教授的学术对话及综合学术分析,文章对"口述音乐史"的内涵、特性及制作中的关键问题进行了探讨,认为口述音乐史是音乐口述史下的一个子类。其研究的主要范围为现当代音乐史,内容主要包括音乐发展中的重要作曲家、作品,也包括重要的音乐事件及其艺术思潮的揭示。在实践操作中,要把握五个关键。一,访谈人具有专业素养;二,找到关键受访人;三,用"史骨"搭建历史框架;四,多重散点视角"勾绘"历史;五,同步建设"数字化口述音乐历史资料库"。
[Abstract]:Based on the academic dialogue and comprehensive academic analysis with Professor Liang Maochun, this paper probes into the connotation, characteristics and key problems in the production of Oral Music History. It is considered that oral music history is a subcategory in the history of music oral music. The main scope of its research is the history of modern and contemporary music. The contents mainly include the important composers and works in the development of music, as well as the important musical events and the revelation of the artistic trend of thought. In practice, five key points should be grasped. First, the interviewees have professional qualities; second, the key interviewees are found; third, the historical framework is built with the "historical bones"; fourth, the multiple scattered points of view "draw" history; fifthly, the construction of "digital oral music history database" synchronously.
【作者单位】：山西师范大学音乐学院;
【基金】：中国博士后科学基金第57批面上项目资助,课题名称:“中国老音乐人口述史料的抢救性采集、整理与研究”,项目编号:2015M571232
【分类号】：J609.2

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