乾隆中晚期“琴乐复古思潮”研究

发布时间：2018-07-03 11:48

  本文选题：复古思潮 + 乾隆　； 参考：《中国音乐学》2017年03期

【摘要】：多年来取得重大成果的"四库学"研究主要集中在文献学、史学和文学等领域,音乐学领域较少。通过相关史料的检索和解读可知,乾隆和四库馆臣们兴起了一场"琴乐复古思潮",批判琴乐为"俗""淫""靡""非古",提出"一字一音""主散声""尚齐撮"等演奏标准。关于为何会要对琴乐进行如此严苛而荒谬的批评,乾隆之言前后矛盾,四库馆臣们则"万马齐喑"。本文联系《四库全书》时代的政治背景和文化政策,提出"名为复古、实为禁锢"之思考,求证于方家。
[Abstract]:The study of "four libraries", which has made great achievements for many years, is mainly concentrated in the fields of philology, history and literature, and there are few fields of musicology. Through the retrieval and interpretation of relevant historical data, it is known that the Emperor Qianlong and the officials of the four libraries have sprang up a "music to the ancients", criticizing the music for "vulgarity", "popular" and "non ancient", and putting forward "one word one sound" "main sound", "Shang Qi" As for the strict and absurd criticism of the piano music, the words of the Emperor Qianlong are incompatible and the officials of the four libraries are "silent".
【作者单位】： 湖南师范大学音乐学院;
【基金】：2015年度教育部人文社科研究青年基金项目“游艺:清代古琴文化生态系统研究”(15YJC760098)阶段成果
【分类号】：J609.2
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本文编号：2093533