调性边缘化时期的附加音和弦
发布时间：2018-11-24 19:16
【摘要】：附加音和弦是和声由简入繁发展过程中的产物,除了丰富和声色彩、扩充和声素材等实践意义,作为连接传统和弦与现代和音之间的桥梁,也具有重要的理论研究价值。19世纪末至20世纪初附加音和弦被明确为西方音乐的标准和声语汇,该时期也是所谓"调性边缘化"时期,此间附加音和弦的表现形式较以往而言有所不同。本文通过对作品中附加音和弦较为典型的应用情况进行分析,从而在一定程度上体现出该和弦在调性衰微过程中发挥的重要作用。
[Abstract]:In addition to enriching the color of harmony and expanding the practical significance of harmony material, it is used as a bridge between traditional chord and modern harmony. From the end of the 19th century to the beginning of the 20th century, the appended chords were clearly regarded as the standard vocabularies of western music. This period was also a period of so-called "tonality marginalization". The performance of the additional chord is different from that of the past. Through the analysis of the typical application of the additional chords in the works, this paper shows to some extent the important role played by the chords in the process of tonal decay.
【分类号】：J614.1
本文编号：2354734
[Abstract]:In addition to enriching the color of harmony and expanding the practical significance of harmony material, it is used as a bridge between traditional chord and modern harmony. From the end of the 19th century to the beginning of the 20th century, the appended chords were clearly regarded as the standard vocabularies of western music. This period was also a period of so-called "tonality marginalization". The performance of the additional chord is different from that of the past. Through the analysis of the typical application of the additional chords in the works, this paper shows to some extent the important role played by the chords in the process of tonal decay.
【分类号】：J614.1
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1 袁芥芳;;琵琶附加音板的尝奻[J];乐器科技;1977年04期
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