二胡与扬琴版《月的悲吟》扬琴演奏分析
发布时间：2018-12-07 07:29
【摘要】：扬琴自明代后期由波斯传入我国至今,在中国四百年的发展历程中深植于中国传统音乐文化发展。本文将以武汉音乐学院胡志平教授创作的二胡曲《月的悲吟》扬琴版为实例,对此曲中的扬琴演奏进行分析。乐曲在创作上充分发挥了扬琴的特点,结合扬琴演奏中的泛音,揉弦等技法丰富了音响效果,同时也为今后的创作带来了更多的启示。二胡曲《月的悲吟》中的扬琴演奏具有艺术价值和研究意义,这对当代扬琴演奏艺术的发展具有一定的推动作用。本文将分两个章节对二胡曲《月的悲吟》中的扬琴演奏进行论述:第一章主要对《月的悲吟》中的扬琴演奏谱例进行简要分析,从音色、旋律、力度三方面来探究扬琴演奏的发音控制对于乐曲意境表达的作用;第二章论述《月的悲吟》中扬琴演奏的创新性给笔者所带来的思考。笔者将从扬琴演奏的角度出发,结合自身对扬琴演奏理论知识的学习积累和艺术实践,从理论上对该曲的扬琴演奏进行整理,希望能给他人提供一些参考,起到抛砖引玉的作用。
[Abstract]:The yangqin was introduced into China from Persia in the late Ming Dynasty and has been deeply rooted in the development of Chinese traditional music culture in the history of 400 years. This article will take Wu Zhiping professor of Wuhan Conservatory of Music as an example to analyze the yangqin performance in the erhu song "the sad Yin of the Moon" as an example. Music in the creation of the full play of the characteristics of the dulcimer, combined with the yangqin in the performance of the sound, kneading techniques such as rich sound effects, but also for the future creation of more inspiration. The yangqin performance in the erhu song "the sad Yin of the Moon" has the artistic value and the research significance, which has the certain promotion function to the contemporary yangqin performance art development. This article will divide into two chapters to carry on the elaboration to the yangqin performance in the erhu song "the sad Yin of the Moon": the first chapter mainly carries on the brief analysis to the yangqin performance spectrum example in the "Moon's sad Yin", from the timbre, the melody, Three aspects of dynamics to explore the role of the yangqin playing pronunciation control on the expression of artistic conception of music; The second chapter discusses the innovation of yangqin performance in the sad Yin of the Moon. From the perspective of yangqin performance, the author will combine with his own learning and accumulation of theoretical knowledge and artistic practice to arrange the yangqin performance in theory, hoping to provide some references for others. Play the role of a brick to attract jade.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51
本文编号：2366822
[Abstract]:The yangqin was introduced into China from Persia in the late Ming Dynasty and has been deeply rooted in the development of Chinese traditional music culture in the history of 400 years. This article will take Wu Zhiping professor of Wuhan Conservatory of Music as an example to analyze the yangqin performance in the erhu song "the sad Yin of the Moon" as an example. Music in the creation of the full play of the characteristics of the dulcimer, combined with the yangqin in the performance of the sound, kneading techniques such as rich sound effects, but also for the future creation of more inspiration. The yangqin performance in the erhu song "the sad Yin of the Moon" has the artistic value and the research significance, which has the certain promotion function to the contemporary yangqin performance art development. This article will divide into two chapters to carry on the elaboration to the yangqin performance in the erhu song "the sad Yin of the Moon": the first chapter mainly carries on the brief analysis to the yangqin performance spectrum example in the "Moon's sad Yin", from the timbre, the melody, Three aspects of dynamics to explore the role of the yangqin playing pronunciation control on the expression of artistic conception of music; The second chapter discusses the innovation of yangqin performance in the sad Yin of the Moon. From the perspective of yangqin performance, the author will combine with his own learning and accumulation of theoretical knowledge and artistic practice to arrange the yangqin performance in theory, hoping to provide some references for others. Play the role of a brick to attract jade.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51
【参考文献】
相关期刊论文 前1条
1 刘夜;;揽古今于一怀 抒“新文人音乐”——评“胡志平二胡独奏音乐会”[J];中国音乐;2008年02期
，本文编号：2366822
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