广西壮族多声部合唱作品的艺术特征及指挥技法探究
发布时间：2018-12-07 21:13
【摘要】：广西壮族自治区是一个多民族居住的地区,生活在此的各民族人民都喜爱歌唱,因此广西素有“歌海”之称。而广西少数民族中以壮族居多,并拥有着千年的歌唱传统,有着以歌代言的习俗。民歌作为壮族人民表述、记忆和传承的主要方式,承载着本民族的情感价值和文化基因。现存的壮族民歌中大部分都是多声部的合唱民歌,以二声部居多,也有少量三声部作品。然而随着时代的发展进步,壮族民歌的生存土壤正在逐渐消失,许多民歌的演唱、传承出现了危机。如何有效的整理分析壮族民歌特征,尤其是将壮族多声部民歌合唱作品保护好、传承给后人,是摆在我们面前的一道难题。正式基于此,本文主要通过分析壮族风格的多声部合唱作品,总结其旋律、和声、结构等方面的特征,深入理解壮族合唱作品的内在精神,更合理地诠释壮族合唱多声部作品。本文总共分为四个部分:第一部分为绪论,对选题缘由和选题意义进行简要介绍,以及对壮族民歌的研究现状进行了分析。第二部分是对广西原生态壮族多声部民歌进行了概述,重点对壮族多声部民歌合唱特点进行了分析。第三部分是通过对改编壮族多声部民歌的合唱作品分析,详细分析各类型壮族多声部的民歌作品。第四部分是以合唱指挥的视角对壮族多声部合唱作品进行指挥技法的分析,如何合理诠释壮族多声部合唱作品的特征。为今后壮族多声部民歌的传承和发展,壮族多声部合唱作品的指挥提供参考。
[Abstract]:Guangxi Zhuang Autonomous region is a multi-ethnic region, where the people of all nationalities love singing, so Guangxi is known as the "Song Sea". Guangxi ethnic minorities are mostly Zhuang, and have a thousand years of singing tradition, has the custom of singing on behalf of. As the main way of expressing, memorizing and inheriting the Zhuang people, folk songs bear the emotional value and cultural genes of their own nation. The majority of the existing folk songs of Zhuang nationality are multi-vocal chorus folk songs, with two parts being the majority, and a small number of three-part works. However, with the development and progress of the times, the survival soil of Zhuang folk songs is gradually disappearing. How to sort out and analyze the characteristics of Zhuang folk songs effectively, especially to protect and inherit the multi-part folk chorus works of Zhuang nationality is a difficult problem in front of us. Based on this, this paper mainly through the analysis of the Zhuang style of multi-vocal chorus works, summarizes its melody, harmony, structure and other aspects of the characteristics, in-depth understanding of the Zhuang chorus works of the inner spirit, more reasonable interpretation of the Zhuang chorus multi-voice works. This paper is divided into four parts: the first part is an introduction, a brief introduction to the reason and significance of the topic, as well as an analysis of the status quo of Zhuang folk songs. The second part is an overview of Guangxi original Zhuang multi-vocal folk songs, focusing on the Zhuang multi-vocal folk songs chorus characteristics. The third part is through the adaptation of the Zhuang multi-vocal folk songs chorus works, detailed analysis of the various types of Zhuang multi-vocal folk songs works. The fourth part is the analysis of the command techniques of Zhuang multi-part chorus works from the angle of chorus conductor, and how to explain the characteristics of Zhuang multi-part chorus works reasonably. It provides a reference for the inheritance and development of Zhuang multi-part folk songs and the direction of Zhuang multi-vocal chorus works.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J616.2;J615.1
本文编号：2367881
[Abstract]:Guangxi Zhuang Autonomous region is a multi-ethnic region, where the people of all nationalities love singing, so Guangxi is known as the "Song Sea". Guangxi ethnic minorities are mostly Zhuang, and have a thousand years of singing tradition, has the custom of singing on behalf of. As the main way of expressing, memorizing and inheriting the Zhuang people, folk songs bear the emotional value and cultural genes of their own nation. The majority of the existing folk songs of Zhuang nationality are multi-vocal chorus folk songs, with two parts being the majority, and a small number of three-part works. However, with the development and progress of the times, the survival soil of Zhuang folk songs is gradually disappearing. How to sort out and analyze the characteristics of Zhuang folk songs effectively, especially to protect and inherit the multi-part folk chorus works of Zhuang nationality is a difficult problem in front of us. Based on this, this paper mainly through the analysis of the Zhuang style of multi-vocal chorus works, summarizes its melody, harmony, structure and other aspects of the characteristics, in-depth understanding of the Zhuang chorus works of the inner spirit, more reasonable interpretation of the Zhuang chorus multi-voice works. This paper is divided into four parts: the first part is an introduction, a brief introduction to the reason and significance of the topic, as well as an analysis of the status quo of Zhuang folk songs. The second part is an overview of Guangxi original Zhuang multi-vocal folk songs, focusing on the Zhuang multi-vocal folk songs chorus characteristics. The third part is through the adaptation of the Zhuang multi-vocal folk songs chorus works, detailed analysis of the various types of Zhuang multi-vocal folk songs works. The fourth part is the analysis of the command techniques of Zhuang multi-part chorus works from the angle of chorus conductor, and how to explain the characteristics of Zhuang multi-part chorus works reasonably. It provides a reference for the inheritance and development of Zhuang multi-part folk songs and the direction of Zhuang multi-vocal chorus works.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J616.2;J615.1
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