论“长安笛派”中马迪的音乐特征与演奏风格
发布时间：2018-12-24 10:39
【摘要】：竹笛是一件比较古老的乐器之一,从河南舞阳骨笛出土算起已有七八千年历史,由此而见,竹笛具有漫长的发展时间和悠久的历史文化意蕴。其音色非常富有魅力,竹笛这件乐器本身的性能、技法得以充分发掘,故而也形成了一批又一批的竹笛专业演奏家,为广大人民群众创造出了诸多优秀的笛曲。而马迪先生正是现当代竹笛艺术家中最为杰出的演奏家之一,也是“长安笛派”的主要代表人物之一,马迪先生不仅擅长多种民族乐器演奏,而且在竹笛演奏技法上,经过几十年的学习、积淀和创新突破,创作了大量具有划时代意义的作品,取得了诸多令人瞩目的成就。与此同时,他精湛的演奏技法和独特的演奏风格在社会上产生了很大的积极影响,故而在我国民族管乐演奏界有着举足轻重的地位。笔者自幼喜爱先生的竹笛作品,文章以访谈、录制、演奏交流的形式为切入点,结合“长安笛派”的历史发展脉络,从其创作心路、演奏技法、演奏风格、音乐思想等方面系统阐释马迪先生音乐的审美内蕴。全文共由五个章节构成,第一章绪论从论文选题和研究意义的角度概述中国竹笛发展史;第二章介绍长安乐派、“长安笛派”和南北笛派演奏风格,以及笛派的历史发展脉络等等;第三章概述马迪先生的创作心路,重点解读他的演奏风格和音乐美学价值;第四章主要分析马迪先生的5首代表作品,通过这几首主要代表作品的分析,进而诠释先生在笛曲上的演奏技法、创作技法、创作构思等等,这对于解读马迪先生的音乐风格、音乐美学思想有着极为重要的价值意义;第五章总结马迪先生对竹笛艺术所作出的杰出贡献。
[Abstract]:Bamboo flute is one of the oldest musical instruments. It has a history of 7,000 years since it was unearthed from the bone flute of Wuyang, Henan Province. Therefore, bamboo flute has a long development time and a long historical and cultural connotation. Its timbre is very attractive, the performance of the instrument itself, techniques can be fully explored, so it has formed a number of professional bamboo flute players, for the broad masses of people to create a lot of excellent flute music. And Mr. Madi is one of the most outstanding modern and contemporary bamboo flute artists, and one of the main representatives of Chang'an Piper School. Mr. Madi is not only good at playing a variety of national instruments, but also in the techniques of playing bamboo flute. After decades of study, accumulation and innovation, a large number of epoch-making works have been created, and many remarkable achievements have been made. At the same time, his exquisite playing techniques and unique playing style have had a great positive impact on the society, so he plays an important role in the field of national orchestral performance in our country. The author has loved his bamboo flute works since childhood. The article takes the form of interview, recording and playing communication as the starting point, combining with the historical development of Chang'an flute school, from its creative heart, playing techniques, playing style, The music thought and other aspects systematically explain the aesthetic connotation of Mr. Marty's music. The thesis consists of five chapters. The first chapter is an introduction to the history of bamboo flute development in China from the point of view of the topic selection and the significance of the research. The second chapter introduces Chang'an Music School, Chang'an Di School and the North and South flute school playing style, as well as the historical development of the flute school, and so on, the third chapter summarizes Mr. Marty's creative mind, mainly explains his playing style and music aesthetic value. The fourth chapter mainly analyzes the five representative works of Mr. Marty, through the analysis of these main representative works, and then interprets Mr. Marty's performance techniques, creative ideas and so on the flute music, which is helpful to the interpretation of Mr. Marty's musical style. The music esthetics thought has the extremely important value significance; The fifth chapter summarizes Mr. Marty's outstanding contribution to bamboo flute art.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11
本文编号：2390519
[Abstract]:Bamboo flute is one of the oldest musical instruments. It has a history of 7,000 years since it was unearthed from the bone flute of Wuyang, Henan Province. Therefore, bamboo flute has a long development time and a long historical and cultural connotation. Its timbre is very attractive, the performance of the instrument itself, techniques can be fully explored, so it has formed a number of professional bamboo flute players, for the broad masses of people to create a lot of excellent flute music. And Mr. Madi is one of the most outstanding modern and contemporary bamboo flute artists, and one of the main representatives of Chang'an Piper School. Mr. Madi is not only good at playing a variety of national instruments, but also in the techniques of playing bamboo flute. After decades of study, accumulation and innovation, a large number of epoch-making works have been created, and many remarkable achievements have been made. At the same time, his exquisite playing techniques and unique playing style have had a great positive impact on the society, so he plays an important role in the field of national orchestral performance in our country. The author has loved his bamboo flute works since childhood. The article takes the form of interview, recording and playing communication as the starting point, combining with the historical development of Chang'an flute school, from its creative heart, playing techniques, playing style, The music thought and other aspects systematically explain the aesthetic connotation of Mr. Marty's music. The thesis consists of five chapters. The first chapter is an introduction to the history of bamboo flute development in China from the point of view of the topic selection and the significance of the research. The second chapter introduces Chang'an Music School, Chang'an Di School and the North and South flute school playing style, as well as the historical development of the flute school, and so on, the third chapter summarizes Mr. Marty's creative mind, mainly explains his playing style and music aesthetic value. The fourth chapter mainly analyzes the five representative works of Mr. Marty, through the analysis of these main representative works, and then interprets Mr. Marty's performance techniques, creative ideas and so on the flute music, which is helpful to the interpretation of Mr. Marty's musical style. The music esthetics thought has the extremely important value significance; The fifth chapter summarizes Mr. Marty's outstanding contribution to bamboo flute art.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11
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