张肖虎五首古诗词艺术歌曲的艺术分析和演唱研究

发布时间：2018-12-26 17:37

【摘要】：张肖虎是古诗词艺术歌曲创作的代表性作曲家之一。他的古诗词艺术歌曲代表作有五首:为宋代李清照词《声声慢》创作的歌曲、为南唐后主李煜词《相见欢》创作的歌曲、为唐代贺知章诗《咏柳》创作的歌曲、为唐代李绅诗《悯农》创作的歌曲、为明代王磬散曲《咏喇叭》创作的歌曲。张肖虎谱曲的这五首古诗词艺术歌曲在艺术上特色鲜明。李清照的《声声慢·寻寻觅觅》是在国破家亡、流亡江南时创作的。此词打破了上下片的局限,全词一气贯注,着意渲染愁情,如泣如诉,感人至深。张肖虎谱曲的《声声慢》为#F调,为复二部曲式,整篇为钢琴伴奏,多用分解和弦,中间夹杂着不少四五度、八度音程叠置,重复八度或低音的进行等方式。李煜的《相见欢·无言独上西楼》感情真挚,情深语切,深刻表达了词人作为亡国之君的哀之痛、思之切。张肖虎谱曲的《相见欢》为C大调,为单二部曲式,A1段与B1段是将前面A、B段的素材进行加花变奏,前后各有一个前奏和尾声。贺知章的《咏柳》是一首典型的咏物诗,描写的对象是初春二月的柳树。诗人通过描绘和赞美柳树,表达了情感深处对春天的万般喜爱。张肖虎谱曲的《咏柳》为F大调,为变奏曲式,大量运用了转位的七和弦、四五度、重复低音,在此基础上,和声所表现出来的色彩极具中国味。李绅的《悯农》反映的是当时农民阶层整体的生活境遇,批判了社会的不合理制度。诗人用神奇的穿越笔法,使得时间的链条自然而然的在我们的心中无意识地泛起了一种岁月苍茫的感慨。张肖虎谱曲的《悯农》为F大调,再现单二部曲式,该曲和声方面将中国传统四五度音程叠置的和声运用到了极致。王磐的《咏喇叭》托物言志,通过揭露当政宦官给人民带来的深重灾难,真实且充分地反映了当时宦官装腔作势的丑恶嘴脸。张肖虎谱曲的《咏喇叭》调式为E大调,为再现单三部曲式,运用了中国传统四五度音程叠置的和声体系。演唱张肖虎这五首古诗词艺术歌曲,我们必须重视对作品情景、情感、声韵、气息等方面的准确把握与处理。演唱《声声慢》要注意淡淡的愁思和欲说还休的感伤是整首歌曲的感情基调。最后一个字应该高八度翻唱,并延长至七拍,与之前的唱段在气息的运用上形成鲜明对比,表达出词人欲说还休的惆怅与哀愁。演唱《相见欢》要注意全曲曲调晦暗哀怨,整体的曲速较慢,哀怨满腹,曲中有四处要采用哭声演唱。演唱《咏柳》的A段应尽量唱得连贯、柔美,A1段需要用奔放洒脱的音色来演唱,A2段必须激动而深情地歌唱。演唱《悯农》A段要采取一种轻声悠扬的哼唱方式,B段要用较低较沉重的曲调突出感叹,A1段要唱得轻快活泼,B1段演唱可以稍微带点哭腔和沙哑。演唱《咏喇叭》要注意此散曲是以旁观者的角度来描述,采用的是一种戏谑又痛心的口吻,在演唱的时候要充分明白描述的角度,充分把握这种心情。
[Abstract]:Zhang Xiaohu is one of the representative composers of ancient poetry and song creation. His masterpieces of ancient poetry and art songs are composed of five songs: songs written for Li Qingzhao's ci "slow Sound" in Song Dynasty, songs written for Li Yu's ci poem "meet Huan", and songs written for Tang Dynasty's he Zhizhang poem "Chong Liu". Songs written for Li's poems of Tang Dynasty and Ming Dynasty. Zhang Xiao-Hu composed these five ancient poetry art songs with distinctive artistic characteristics. Li Qingzhao's slow search was created when the country broke down and went into exile. This word breaks down the limitation of the upper and lower films, the whole word is full of attention, meaning to render melancholy, sobbing, moving. The music composed by Zhang Xiao Hu is composed of # F tone, complex two-part form, piano accompaniment, multiple use of decomposed chords, with a number of four or five degrees, octave interval overlapping, repetition of octave or bass, and so on. Li Yu's feelings are sincere and deep, expressing the sorrow of the poet as the king of the nation. Zhang Xiaohu's "meet Huan" is in C major and single two-part form. The A1 and B1 paragraphs are a prelude and an end to each other. He Zhizhang's "Yongliu" is a typical chanting poem, which describes willow trees in early spring and February. By depicting and praising willow trees, poets express deep feelings of love for spring. The composition of Zhang Xiao Hu's Chong Liu is in F major and in the form of variation, which uses a large number of transposition of seven chords, four or five degrees, repeating bass. On this basis, the color of harmony is very Chinese. Li Sin's "pity for the Farmers" reflects the living conditions of the peasant class at that time and criticizes the unreasonable system of society. The poet made the chain of time come into being unconsciously in our hearts. Zhang Xiao Hu's song "pity for Agriculture" is in F major and reproduces a mono-bipartite form, which uses the harmony of Chinese traditional four-fifth-degree interval overlay to the extreme. Wang Pan's "Psalm of the trumpet", by exposing the deep disaster brought to the people by the eunuchs in power, truly and fully reflected the ugly face of the eunuchs at that time. In order to reproduce the single trilogy, the tune mode of Zhang Xiao Hu's composition is E major, and the Chinese traditional harmony system with four and five degrees interval is used. We must pay attention to accurately grasp and deal with the scene, emotion, rhyme, breath and so on of the five ancient poems and songs of Zhang Xiao Hu. In singing slow voice, we should pay attention to the emotional tone of the whole song. The last word should be high octave, and be extended to seven beats, and the use of the previous choir in sharp contrast to the use of breath, to express the poet's melancholy and sorrow. We should pay attention to the sad tune of the whole tune. The whole song is slow and full of sorrow. There are four songs to be sung by crying. As far as possible, paragraph A should be sung coherently and tenderly. Section A1 should be sung with a free and free tone, while paragraph A2 must sing passionately and affectionately. A section of "pity for agriculture" should adopt a kind of soft and melodious humming way, B paragraph should highlight the sigh with lower and heavier tunes, A1 paragraph should sing briskly and lively, and B1 paragraph singing could bring a little cry and hoarse. In singing the trumpet, we should note that the scattered song is described from a bystander's point of view and adopts a sarcastic and painful tone. When singing, one should fully understand the angle of description and fully grasp the mood.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614;J616.2

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