“同均三宫”的历史渊薮与乐学遗存
发布时间：2018-12-27 20:43
【摘要】：黄翔鹏先生"同均三宫"乐学理论的提出,其历史渊薮最早可见《汉书·律历志》的"三统""三正""三始",以及"清商三调"、荀勖"笛上三调"。现今晋北笙管乐之应律乐器笙,为八律,"本调""尺字调""四字调"三调,即为"同均三宫"。隋代"唯奏黄钟一宫",实际上是可以奏出"正声""下徵""清商"三宫,《隋书·音乐志》所谓"蕤宾之宫",亦即同于晋北笙管乐之"勾凡调"。清商音阶的实际谱例,则可见宋人赵彦肃《风雅十二诗谱》、姜夔《越九歌》,以及元代熊朋来《瑟谱》中的律吕字谱,而蔡元定《燕乐书》"俗乐以闰为正声",《续通典》"以商名宫,即清商调也",则都可谓"同均三宫"之乐学遗存。"同均三宫"雅、俗同用,是一个客观存在。
[Abstract]:Huang Xiangpeng put forward the music theory of "Tongzhu San Gong", whose history is the earliest to see "three unification", "three positive" and "three beginning" of "Han Dynasty", "Qing Shang three tones" and Xun Xu "three tones on the flute". Nowadays, Sheng, a musical instrument for pipe music in northern Shanxi Province, is called "eight Rhythm," Four-character tone "and" four character tone ", that is," Tongjun three Palace ". In the Sui Dynasty, "only play the first palace of Huang Zhong", in fact, can play "positive voice", "lower sign", "Qing Shang" three palaces, "Sui Shu Music Chronicles" so called "the Palace of Li Bin", that is, the same as the "Gaofan tune" of the pipe music of Sheng in the north of Jinbei. An example of the actual musical scale of the Qing Shang Dynasty can be found in the Song Dynasty's Zhao Yansu's "the Chronicles of the Twelve Poems of elegance", Jiang Kui's "Yue Nine songs", and the Song Dynasty Xiong Penglai's "Song of Lv", while Cai Yuanding's "Yan Yue Shu" the intercalated music is the positive voice ". In the name of the Shang Palace, that is, the Qing Dynasty, it can be described as "the same three Palace" music remains. " The same three houses "elegant, common use, is an objective existence."
【作者单位】： 温州大学音乐学院;
【分类号】：J613
本文编号：2393581
[Abstract]:Huang Xiangpeng put forward the music theory of "Tongzhu San Gong", whose history is the earliest to see "three unification", "three positive" and "three beginning" of "Han Dynasty", "Qing Shang three tones" and Xun Xu "three tones on the flute". Nowadays, Sheng, a musical instrument for pipe music in northern Shanxi Province, is called "eight Rhythm," Four-character tone "and" four character tone ", that is," Tongjun three Palace ". In the Sui Dynasty, "only play the first palace of Huang Zhong", in fact, can play "positive voice", "lower sign", "Qing Shang" three palaces, "Sui Shu Music Chronicles" so called "the Palace of Li Bin", that is, the same as the "Gaofan tune" of the pipe music of Sheng in the north of Jinbei. An example of the actual musical scale of the Qing Shang Dynasty can be found in the Song Dynasty's Zhao Yansu's "the Chronicles of the Twelve Poems of elegance", Jiang Kui's "Yue Nine songs", and the Song Dynasty Xiong Penglai's "Song of Lv", while Cai Yuanding's "Yan Yue Shu" the intercalated music is the positive voice ". In the name of the Shang Palace, that is, the Qing Dynasty, it can be described as "the same three Palace" music remains. " The same three houses "elegant, common use, is an objective existence."
【作者单位】： 温州大学音乐学院;
【分类号】：J613
【相似文献】
相关期刊论文 前8条
1 成军;;“清商”乐肇始考[J];周口师范学院学报;2009年04期
2 黎国韬;;清商官署沿革考[J];中原文化研究;2013年03期
3 洛地;;商—清商—乐[J];中国音乐;2007年02期
4 漆明镜;;平、清、瑟三调之于“相和”、“清商”[J];文化艺术研究;2011年01期
5 杜亚雄;;就“清商音阶”命名答陈应时先生[J];南京艺术学院学报(音乐与表演版);2011年01期
6 钟敬安,钟舸;清商调式简论[J];音乐探索(四川音乐学院学报);2003年01期
7 卢一飞;;清乐源流述略[J];遵义师范学院学报;2006年05期
8 温和;;魏晋南北朝“三调”歌舞伎乐源流考[J];云南艺术学院学报;2008年01期
，本文编号：2393581
本文链接：https://www.wllwen.com/wenyilunwen/yinlelunwen/2393581.html
