内蒙古包头地区扬琴社会教育现状调查与研究
发布时间：2019-05-28 06:07
【摘要】：扬琴是在明末清初前后从波斯流传到我国广东沿海一带。至今为止在中国已有四百多年的历史。这件“舶来品”传入中国后,经过长时间的发展与演变,不断融入到各地方民间音乐、戏曲音乐、地方曲艺等表演形式中,逐渐形成了多种地方风格与艺术特色。成为了一件具有广泛世界性和鲜明民族性的击弦乐器。内蒙古二人台艺术中的扬琴就是在众多地方性风格中脱颖而出的其中之一,并且独树一帜的成为中国扬琴地方性风格代表的重要一员。包头作为内蒙古最大的城市,同时也是一座典型的移民城市,在长期多种文化的融合与发展下,形成了独具特色的地域音乐文化——内蒙古二人台艺术,其中扬琴被称为二人台艺术中“三大件”之一。随着二人台艺术的发展,扬琴在这种独特的本地区文化氛围中有着广泛的群众基础,逐渐从最初的伴奏乐器形成了多种演奏形式,并成为内蒙古地区音乐艺术中不可或缺的一员。但是纵观内蒙古包头地区扬琴艺术的研究大多还是以二人台艺术中的演奏技能方面的内容为研究对象,对于该地区扬琴教育教学方面的理论研究比较少,扬琴社会教育的理论与实践研究几乎没有。本文的主要内容由绪论、本论和结语三大部分构成。第一部分绪论阐述了问题是如何提出的,写作该论文的目的与意义,以及现阶段关于该论文的研究动态和研究方法。本论部分由三个章节组成,第一章阐述包头地区扬琴艺术的发展概况,如何从最初二人台伴奏乐器逐渐向扬琴教育方式的转变。主要以三个时期展开阐述:(一)二十世纪五、六十年代发展情况、(二)二十世纪六十年代中期至七十年代末的发展情况、(三)二十世纪八十年代至今的发展情况。按照时间进程,分别阐述每个时期扬琴社会教育在包头地区的发展状况。第二章通过对包头地区扬琴艺术发展脉络进行系统性梳理后,针对包头地区扬琴社会教育工作比较突出的中小学、少年宫等进行实地的考察,从办学规模、师资力量、生源情况、培养模式等方面进行展开调查,分别对扬琴教育受教者、社会大众以及专业扬琴教师进行一些有关扬琴知识方面的问卷调查,以便更加清楚的了解包头地区扬琴教育所存在的现实状况以及需要解决和完善的问题。第三章通过问卷调查与分析对包头地区扬琴社会教育教学的发展现状做出客观分析与思考,进而探究包头地区扬琴社会教育的生存现状和未来发展。笔者通过对包头地区扬琴社会教育现状的调查与研究中发现,包头地区扬琴的发展与二人台艺术有着密不可分的联系,二人台艺术中的扬琴演奏是包头地区扬琴发展的源头和重要依托。同时,笔者在调查中发现,大多数包头群众都是从二人台艺术中对扬琴这件乐器有所了解,可以说扬琴在包头地区的传播与发展离不开二人台艺术。所以笔者在本文第一章中涉及到有关“扬琴在二人台艺术中演奏技法的应用”方面的研究,试图对其演奏手法及艺术特色进行一个新的尝试,目的是为了更好的传承与发展本地区独特的音乐文化,这同样也是包头地区未来扬琴教学工作中重要内容方面的体现。最终为包头地区培养出更加丰富、优秀的扬琴艺术人才。
[Abstract]:The Yangqin was spread from Persia to the coast of Guangdong in the late Ming and early Qing Dynasty. Up to now, there have been more than four hundred years of history in China. After this "imported goods" has passed into China, after a long time of development and evolution, it has been integrated into the performance forms of local folk music, opera music and local music, and gradually formed a variety of local style and artistic features. And has become a stringed instrument with a wide and wide-ranging and distinct national character. The Yangqin in the two-stage art of Inner Mongolia is one of the many local styles, and it is one of the most important members of the local style of Yangqin in China. Baotou, as the largest city in Inner Mongolia, is also a typical city. Under the integration and development of the long-term and many cultures, it forms the unique regional music culture _ Inner Mongolia two-person stage art, in which the Yangqin is known as one of the two "Three large pieces" of the two-stage art. With the development of the two people's art, Yangqin has a broad mass base in this unique cultural atmosphere, and gradually formed a variety of performance forms from the original accompaniment instrument, and became an integral part of the music art in Inner Mongolia. However, the study of the Yangqin art in Baotou area of Inner Mongolia is mostly based on the content of the performance skills in the two-stage art, and the theoretical research on the teaching of the Yangqin education in the region is less, and the theory and practice of Yangqin's social education is almost no. The main content of this paper is composed of the introduction, the present theory and the conclusion. The first part of the paper expounds how the problem is put forward, the purpose and significance of writing the paper, and the research dynamic and research method of the thesis at the present stage. This part is composed of three chapters, the first chapter expounds the development of the Yangqin art in Baotou, and how to gradually change the musical instrument from the first two to the Yangqin education mode. The development of (i) the development of the 1950s and the 1960s, (ii) the development of the mid-1960s to the end of the 1970s, and (iii) the development of the 1980s to the present. According to the time course, the development of Yangqin's social education in Baotou area is stated separately. In the second chapter, through the systematic analysis of the development of the Yangqin art in Baotou, it is pointed out that the primary and secondary schools, the children's palace, etc., which are prominent in the work of the Yangqin's social education in Baotou, are carried out on the ground, from the scale of running the school, the strength of the teachers and the source of the students. The training mode and other aspects are carried out to carry out a survey on the education of the piano, the general public and the teacher of the professional dulcimer to carry out a questionnaire on the knowledge of the piano, In order to get a more clear understanding of the current situation of the Yangqin education in the Baotou area and the problems that need to be solved and perfected. The third chapter, through the questionnaire and the analysis, makes an objective analysis and thinking on the current situation of the development of the social education of the Yangqin in Baotou, and then probes into the present situation and the future development of the social education of the Yangqin in Baotou. The author has found that the development of the Yangqin in Baotou is closely related to the two-man's art, and the playing of the piano in the two-stage art is the source and the important support of the development of the Yangqin in Baotou. At the same time, in the investigation, the author finds out that most of the Baotou masses have learned about the musical instrument from the two of them, and it can be said that the communication and development of the Yangqin in the Baotou area can not be separated from the two-person art. So the author, in the first chapter of this article, involves the research on the "The Application of the Performance of Yangqin in the Two-man's Art", and tries to make a new attempt to the performance and the artistic characteristics of the region, in order to better inherit and develop the unique music culture in the region, This is also a reflection of the important content of the future Yangqin teaching in Baotou. In the end, more abundant and outstanding talents of the Yangqin art are cultivated in the Baotou area.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51-4
本文编号：2486801
[Abstract]:The Yangqin was spread from Persia to the coast of Guangdong in the late Ming and early Qing Dynasty. Up to now, there have been more than four hundred years of history in China. After this "imported goods" has passed into China, after a long time of development and evolution, it has been integrated into the performance forms of local folk music, opera music and local music, and gradually formed a variety of local style and artistic features. And has become a stringed instrument with a wide and wide-ranging and distinct national character. The Yangqin in the two-stage art of Inner Mongolia is one of the many local styles, and it is one of the most important members of the local style of Yangqin in China. Baotou, as the largest city in Inner Mongolia, is also a typical city. Under the integration and development of the long-term and many cultures, it forms the unique regional music culture _ Inner Mongolia two-person stage art, in which the Yangqin is known as one of the two "Three large pieces" of the two-stage art. With the development of the two people's art, Yangqin has a broad mass base in this unique cultural atmosphere, and gradually formed a variety of performance forms from the original accompaniment instrument, and became an integral part of the music art in Inner Mongolia. However, the study of the Yangqin art in Baotou area of Inner Mongolia is mostly based on the content of the performance skills in the two-stage art, and the theoretical research on the teaching of the Yangqin education in the region is less, and the theory and practice of Yangqin's social education is almost no. The main content of this paper is composed of the introduction, the present theory and the conclusion. The first part of the paper expounds how the problem is put forward, the purpose and significance of writing the paper, and the research dynamic and research method of the thesis at the present stage. This part is composed of three chapters, the first chapter expounds the development of the Yangqin art in Baotou, and how to gradually change the musical instrument from the first two to the Yangqin education mode. The development of (i) the development of the 1950s and the 1960s, (ii) the development of the mid-1960s to the end of the 1970s, and (iii) the development of the 1980s to the present. According to the time course, the development of Yangqin's social education in Baotou area is stated separately. In the second chapter, through the systematic analysis of the development of the Yangqin art in Baotou, it is pointed out that the primary and secondary schools, the children's palace, etc., which are prominent in the work of the Yangqin's social education in Baotou, are carried out on the ground, from the scale of running the school, the strength of the teachers and the source of the students. The training mode and other aspects are carried out to carry out a survey on the education of the piano, the general public and the teacher of the professional dulcimer to carry out a questionnaire on the knowledge of the piano, In order to get a more clear understanding of the current situation of the Yangqin education in the Baotou area and the problems that need to be solved and perfected. The third chapter, through the questionnaire and the analysis, makes an objective analysis and thinking on the current situation of the development of the social education of the Yangqin in Baotou, and then probes into the present situation and the future development of the social education of the Yangqin in Baotou. The author has found that the development of the Yangqin in Baotou is closely related to the two-man's art, and the playing of the piano in the two-stage art is the source and the important support of the development of the Yangqin in Baotou. At the same time, in the investigation, the author finds out that most of the Baotou masses have learned about the musical instrument from the two of them, and it can be said that the communication and development of the Yangqin in the Baotou area can not be separated from the two-person art. So the author, in the first chapter of this article, involves the research on the "The Application of the Performance of Yangqin in the Two-man's Art", and tries to make a new attempt to the performance and the artistic characteristics of the region, in order to better inherit and develop the unique music culture in the region, This is also a reflection of the important content of the future Yangqin teaching in Baotou. In the end, more abundant and outstanding talents of the Yangqin art are cultivated in the Baotou area.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51-4
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