戏曲的唱与唱词写作

发布时间：2019-05-30 07:09

【摘要】：戏曲之"曲"可作三重解读,一是"曲折",针对剧情而言;二是"曲律",针对音声而言;三是"曲醅",针对欣赏而言。这些,均与它的演唱本质分不开。戏曲唱词的形式类型有:曲牌(联套)体,常见的杂剧、传奇等古代戏剧都是"曲牌联套体";板腔(自由)体,以京剧为代表的近代地方戏基本都属"板腔自由体";山歌(混合)体,主要是指某些歌舞类戏剧的唱词样式,其风格活泼,民间歌唱色彩浓郁;继承创造体,它追随时尚,用语新潮,自由活泼,有新诗意味;淡化板式,突出唱词的歌唱性,似有流行化倾向。戏曲唱词的写作要注意用韵、样式、修辞和炼句。让我们共同为开创中国戏曲文学的新时代,打造更多的好剧本、好唱词、好词句而努力。
[Abstract]:The "qu" of opera can be interpreted in three ways, one is "twists and turns", the other is "qu Law", which is for sound and sound, and the third is "fermented grains", which is for appreciation. These are inseparable from its singing nature. The forms of opera singing words are as follows: qu Pai (joint set) style, common Zaju, legend and other ancient dramas are "qu card couplet style", board cavity (free) style, modern local opera represented by Beijing Opera are basically "board cavity free style", and the ancient drama such as qu Pai (joint set) style, common Zaju, legends and other ancient dramas are all "qu card couplet style". Folk song (mixed) style mainly refers to the singing style of some song and dance drama, its style is lively and folk singing color is rich, inheriting the creative style, it follows the fashion, the language is trendy, free and lively, has the new poem meaning; Desalination plate, highlight the singing of words, seems to have a popular tendency. The writing of opera singing words should pay attention to rhyme, style, rhetoric and sentence making. Let us work together to create a new era of Chinese opera literature and create more good scripts, good words and good words.
【作者单位】：安徽省文学艺术界联合会;
【分类号】：J614.9

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