新疆塔城地区柯尔克孜族民间歌曲现状调查

发布时间：2019-06-07 20:03

【摘要】：新疆塔城地区汇聚了29个民族,复杂的民族成分构成和多民族聚居的人口分布特点,使生活在这里的各族人民沿袭着本民族的民俗习惯,又在频繁的族际交往和生产劳动过程中联系密切、相互影响,多元共生。塔城地区柯尔克孜族的民族文化,无论是在本民族中,还是在塔城地区各族群众中都不突显,被置于边缘化的位置上。更有甚者,他们的民族身份也常常被当地群众与哈萨克族或蒙古族混同。在当地“大杂居、小聚居”的环境中,在强势文化的影响下,他们的传统民族文化和习俗既有保留,又有融合,是当地多元文化融合的地域文化特色的一个缩影。塔城地区柯尔克孜族民歌文化不仅仅是对当地柯尔克孜族个性的反映,在一定程度上也是这一地域其他各民族的共性的反映。当地柯尔克孜族民歌形态中的混成文化现象,既是当地柯族的民族文化特色的一种体现,也是对他们所处地缘关系和社会文化生活的映射。本论文的学术理论落脚点在于对音乐存在方式的理解和对文化整体观的认知上。笔者在一定的文献基础和田野调查工作基础上,置当塔城地区的柯尔克孜族民歌文化与当地整体社会文化生活之中,从音乐形态学和文化学两方面,对当地柯尔克孜族民歌现状进行考察,对其民歌中的音乐文化特色和精神内涵进行分析和阐释。正文包括四个部分,其结构布局如下:第一部分:绪论部分。主要对本论文的研究意义、主旨、目标、方法,已有研究成果,以及本论文的研究定位和基本框架进行陈述。第二部分:第一章和第二章。从历史与现状两方面,对塔城地区柯尔克孜族的人文地理概况进行大致梳理,并结合实地调查情况,集中对现阶段塔城地区柯尔克孜族的民间音乐生活现状进行叙述。第三部分:第三章、第四章和第五章。通过对当地柯尔克孜族民歌进行分类,从音乐本体构成进行分析,理解当地柯尔克孜族民歌的文化建构;并用民族音乐学的方法,将他们的民歌文化置于他们的社会文化生活中,通过对当地柯尔克孜族民歌存在的文化根基、文化功能和文化特色等进行文化阐释,理解当地柯尔克孜族民歌的存在。这也是本论文的重点。第四部分:结论部分。塔城柯尔克孜族民歌中既有蒙古族民歌的曲风韵味,又包含哈萨克音乐文化的基因;既保留着本民族古老、原生的歌调元素,又融入了他民族文化的特点。他们民歌中的混成文化现象,所体现出的不仅仅是民歌形态上的混成性,也是这一人群在区域文化大背景下,在社会文化生活中的一种自觉调和与适应的结果。
[Abstract]:The Tacheng area of Xinjiang brings together 29 ethnic groups, the complex ethnic composition and the population distribution characteristics of multi-ethnic groups, which makes the people of all ethnic groups living here follow the folk customs of their own ethnic groups. In the frequent inter-ethnic exchanges and productive labor process is closely related, mutual influence, pluralistic symbiosis. The ethnic culture of Kirgiz in Tacheng area is not prominent in its own nationality or among the masses of all ethnic groups in Tacheng area, and is placed in a marginalized position. What's more, their national identity is often mixed with Kazakh or Mongolian. Under the influence of strong culture, their traditional national culture and customs are both reserved and integrated, which is a microcosm of the regional cultural characteristics of local multicultural fusion. The folk song culture of Kirgiz nationality in Tacheng area is not only a reflection of the personality of the local Kirgiz nationality, but also a reflection of the commonness of other ethnic groups in this region to a certain extent. The mixed cultural phenomenon in the form of local Kirgiz folk songs is not only an embodiment of the national cultural characteristics of the local Kirgiz nationality, but also a reflection of their geographical relationship and social and cultural life. The academic theory of this paper lies in the understanding of the way of music existence and the cognition of the whole view of culture. On the basis of certain literature basis and field investigation work, the author puts the Kirgiz folk song culture and the local overall social and cultural life in Tacheng area, from two aspects of music morphology and culturology. This paper investigates the present situation of the local Kirgiz folk songs, and analyzes and explains the musical cultural characteristics and spiritual connotations of the local Kirgiz folk songs. The main body includes four parts, its structure layout is as follows: the first part: introduction part. This paper mainly describes the significance, purport, goal, method, existing research results, as well as the research orientation and basic framework of this paper. The second part: the first chapter and the second chapter. From two aspects of history and present situation, this paper roughly combs the general situation of human geography of Kirgiz nationality in Tacheng area, and combined with the field investigation, focuses on the present situation of folk music life of Kirgiz nationality in Tacheng area. The third part: the third chapter, the fourth chapter and the fifth chapter. Through the classification of the local Kirgiz folk songs and the analysis of the composition of the music Noumenon, the cultural construction of the local Kirgiz folk songs is understood. By using the method of national musicology, their folk song culture is placed in their social and cultural life, and the cultural foundation, cultural function and cultural characteristics of the local Kirgiz folk songs are explained. Understand the existence of local Kirgiz folk songs. This is also the focus of this paper. The fourth part: the conclusion part. The folk songs of Kirgiz nationality in Tacheng not only have the charm of Mongolian folk songs, but also contain the genes of Kazakh music culture, which not only retain the ancient and native song elements of their own nation, but also integrate into the characteristics of his national culture. The phenomenon of mixing culture in their folk songs not only reflects the mixing of folk songs, but also the result of conscious harmony and adaptation of this group in the social and cultural life under the background of regional culture.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607

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