论格什温钢琴作品《三首前奏曲》的改编与分析

发布时间：2019-06-12 08:49

【摘要】：双排键电子琴又俗称电子管风琴,它作为一个独特的音乐传播载体,正逐渐兴起并被大家所接受。随着双排键电子管风琴专业在国内各大院校的普及与发展,已然形成一套专业的教学系统。然而双排键现有的编曲大部分则集中于对于交响乐作品总谱改编缩减的形式,所表达出来的音乐属于“神似”而不是“形似”。但是钢琴作品的思维正好相反,可以扩充声部立体感的同时也可以增加配器的色彩感。本文以分析改编格什温的钢琴作品《三首前奏曲》为例,更加明确对钢琴作品编曲的思路与拓展。通过《三首前奏曲》的改编与分析,并主要抓住音色配置与移植改编乐谱这两个方面,由此抓住钢琴与双排键相辅相成的音乐契合点。并且,在分析改编作品的同时,也能为双排键编曲事业的发展前景提出自己的见解。
[Abstract]:Double-row electronic organ, also known as electronic organ, as a unique carrier of music communication, is gradually rising and accepted by everyone. With the popularization and development of double-row electronic organ specialty in domestic colleges and universities, a set of professional teaching system has been formed. However, most of the existing double-row key choreography focuses on the form of adaptation and reduction of the total spectrum of symphony works, and the music expressed belongs to "divine resemblance" rather than "shape resemblance". However, the thinking of piano works is the opposite, which can expand the stereo sense of the sound part and increase the color sense of the orchestra at the same time. Taking the adaptation of Gershwin's piano works "three prelude" as an example, this paper clarifies the train of thought and expansion of piano works compilation. Through the adaptation and analysis of the three prelude, and mainly grasp the timbre configuration and transplantation of the adaptation of the music score, so as to grasp the piano and double-row keys complement each other. Moreover, while analyzing the adapted works, we can also put forward our own views for the development prospect of double-row key editing.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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