施尼特凯《钢琴五重奏》创作技法研究

发布时间：2018-02-01 08:15

本文关键词： 施尼特凯《钢琴五重奏》核心动机贯穿结构对位复风格　出处：《河南大学》2007年硕士论文　论文类型：学位论文

【摘要】： 阿尔弗雷德·加里耶维奇·施尼特凯(Alfred Garriyevich Schnittke,1934-1998)是20世纪中后期俄罗斯现代音乐的代表人物,一位杰出的、富于创新精神的作曲家。施尼特凯一生创作颇丰,且形式多样,其中不乏优秀、经典之作,为其赢得了国际性声誉。他的音乐作品逐渐已成为作曲家与分析家们的研究热点。施尼特凯的《钢琴五重奏》(Quintett für Klavier, zwei Violinen,Viola und Violoncello)创作于1972-1976年间,是作曲家创作历时最长的一部作品,也是他惟一的一部钢琴五重奏。在该作品中,作曲家扬弃了二战后先锋派的序列技法和比较理性的美学观念,转向突出音乐的抒情性和质朴性,在处理音高、结构以及音乐风格诸方面,堪为经典。该作品是施氏之创作进入“全新创造性年代”的标志;同时从1978年作曲家把《钢琴五重奏》重新改编为乐队版——《In Memorian》观之,足见《钢琴五重奏》在其一生创作中的中心地位。目前,国内外对施尼特凯音乐作品的研究已取得了不少成果,但对《钢琴五重奏》这部作品,尚未作全面、透彻的分析。鉴于此,本文拟以施尼特凯的《钢琴五重奏》为分析、研究对象,运用作曲技术理论、音乐分析学和音乐史学等相关研究方法,从音高、结构、风格等视角,以文字说明与图谱诠释相结合的方式,对施尼特凯的《钢琴五重奏》中所体现出来的具有代表意义的创作技法进行分析。通过具体的分析研究,客观地评述施氏《钢琴五重奏》中的核心动机贯穿、多重结构对位、多元风格复合等创作技法以及在创作中所受到的时代背景和相关作曲家的影响作用,从而为探索施尼特凯在20世纪中后期,经历了理性的序列技法之后,如何审视“调性”、如何为作品结构布局、如何进行多元风格拼贴等方面提供一个具体的实证。
[Abstract]:Alfred Garriyevich Schnittke. In 20th century, he was a representative figure of modern Russian music, an outstanding and innovative composer. Schnitke created a lot of works in his life and varied forms. His musical works have gradually become a hot research topic for composers and analysts. Schnitke's Piano Quintett f 眉 r Klavier, zwei Violinen. Viola und Violoncellov (1972-1976) is the longest work ever written by a composer. It is also his only piano quintet. In this work, the composer abandoned the sequenced techniques and more rational aesthetic concepts of the avant-garde school after World War II, turned to highlight the lyricism and simplicity of music, and to deal with pitch. The structure and the style of music can be regarded as classics. This work is the symbol of Shi's creation entering the "new creative age". At the same time, since 1978, the composer readapted Piano Quintet to the band edition < in Memorian >, which shows the central position of Piano Quintet in his lifetime creation. At present, many achievements have been made in the study of Schnitkey's musical works at home and abroad, but the work of Piano Quintet has not been comprehensively and thoroughly analyzed. This paper takes Snitkey's Piano Quintet as the research object, using the theory of composition technology, music analysis and music history, from the perspective of pitch, structure, style and so on. In the way of the combination of the description of words and the interpretation of the atlas, this paper analyzes the creative techniques of representative significance embodied in Schnitkey's Piano Quintet. This paper objectively comments on the core motivation of Shi's Piano Quintet, the combination of multiple structures, multiple styles, and other creative techniques, as well as the influence of the background of the times and the influence of the composers concerned. In 20th century, after experiencing the rational sequence techniques, how to examine the "tonality" and how to lay out the structure of the works. How to carry out multi-style collage and other aspects to provide a specific demonstration.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J624.1

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