唐代音乐研究的新展开

发布时间：2018-03-11 14:52

  本文选题：唐乐音乐会　切入点：艾伦·曼瑞特　出处：《音乐艺术(上海音乐学院学报)》2008年04期 　论文类型：期刊论文

【摘要】：我国从上世纪80年代进入敦煌琵琶谱的研究以来,已历经了二十多年,取得了可喜的成果。然而由于中国的许多古代乐谱没有得到保存,音响没有真正获得传承,如果真实地反映历史原貌仍然存在着很多困难。2008年5月东方古谱学家澳大利亚悉尼大学的艾伦.曼瑞特教授慷慨地捐赠给上海音乐学院"中日音乐文化研究中心"大量的古乐谱与文献资料,借此该中心组织了一场"东亚古谱学研讨会",同时又举办了一场"唐乐古谱解译音乐会"为研究唐代音乐的深入提供了新的契机。
[Abstract]:Since our country entered the study of Dunhuang pipa spectrum in -20s, it has been more than 20 years and has achieved gratifying results. However, because many ancient music scores in China have not been preserved, the sound has not really been passed on. In May 2008 Professor Alan Manrett of the University of Sydney, Australia, generously donated to the Shanghai Conservatory of Music the Center for the study of Chinese and Japanese Music and Culture. "A great deal of ancient music and literature, Thus, the center organized a seminar on ancient genealogy in East Asia and a concert of interpretation of Tang Lego music, which provided a new opportunity for the study of music in Tang Dynasty.
【作者单位】： 上海音乐学院音乐学系;
【分类号】：J609.2
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本文编号：1598667