论男高声的声部各类型的划分

发布时间：2018-03-14 04:03

本文选题：男高音　切入点：音色　出处：《青岛大学》2007年硕士论文　论文类型：学位论文

【摘要】： 声部划分理论，对于声乐研究和教学来说起着重要的作用，它界定了各类型声部的特点以及每个声部的演唱曲目。参照系统原则，遵循美声艺术声部划分价值取向标准，根据学生自身生理条件，准确划分学生声音声部，同时选择和演唱与本声部相适宜的声乐曲目，这是美声唱法教学工作中的关键性基础教学任务之一。在声乐教学工作中，根据学生自身的生理条件，，正确地确定学生的声部，同时根据学生声部选择演唱适合学生声部的声乐作品是声乐教学中的一项重要工作。错误地确定学生的声部可能限制一个优秀学生的歌唱发展，而错误的演唱非本声部的作品可能导致歌者自己的声乐演唱生命。例如，如果让一个抒情男高音去演唱瓦格纳式男高音的作品，可想而知，那对他的声带将是毁灭性的打击，因为抒情男高音声音很难穿透瓦格纳那配置庞大的乐队，更不用说能否唱出瓦格纳的风格和音色了。不同的生理条件决定了各声部的不同演唱特点，限定了演唱者的声部属性。美声唱法的声部划分理论所承担的学术任务就是解决声部划分和声部曲目问题，无论对声乐教师和声乐演唱者来说，都必须掌握美声声部划分依据弄清自己或学生的声部类型。笔者从实际演唱和教学的角度出发，通过回顾西洋歌剧历史上男高音声部的发展，通过将声部划分理论、声乐发声技巧等相结合的方式从历史发展角度、从社会文化背景角度、从作曲家角度、从声音技巧发展角度、来论述西洋歌剧史中出现的各种型号的男高音。
[Abstract]:The theory of division of vocal parts plays an important role in the research and teaching of vocal music. It defines the characteristics of each type of vocal parts and the singing repertoire of each part. According to the students' own physiological conditions, the students' voice parts are accurately divided, and at the same time, they choose and sing the appropriate vocal music tracks, which is the key basic teaching in the teaching of Bel Canto, Ren Wuzhi, in the teaching of vocal music. According to the student's own physiological conditions, correctly determine the student's voice part, At the same time, it is an important work in vocal music teaching to choose the vocal music works suitable for the students according to the students' vocal parts. The wrong determination of the students' vocal parts may limit the singing development of an excellent student. For example, if a lyric tenor is allowed to sing a Wagner tenor, one can imagine that it would be a devastating blow to his vocal cord. Because the lyric tenor can hardly penetrate Wagner's colossal band, let alone whether he can sing out Wagner's style and tone. Different physiological conditions determine the different singing characteristics of each voice. The academic task of Bel Canto theory is to solve the problem of vocal division and vocal repertoire, whether for vocal music teachers or vocal singers, Both must master the division of the sound parts according to their own or the student's type of voice. From the angle of actual singing and teaching, by reviewing the development of tenor in the history of western opera, the author combines the theory of vocal division and vocal vocal skills from the historical development point of view. From the angle of social and cultural background, from the angle of composer and the development of sound skills, this paper discusses the various types of tenors in the history of western opera.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J616

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