论客家山歌“唱与腔”的传统音乐文化意义——以铜鼓客家山歌为例

发布时间：2018-03-16 22:34

  本文选题：铜鼓客家山歌　切入点：“唱与腔”　出处：《南昌大学学报(人文社会科学版)》2008年05期 　论文类型：期刊论文

【摘要】：客家人在中国广泛分布于大江南北,客家山歌音乐各具有鲜明的传统文化特征。位于赣西北的江西铜鼓客家山歌是由来自粤、闽、赣南等地不同的客家音乐元素与当地原人的音乐元素长期碰撞,经过二三百年时间的磨合,从而形成其特定的传统"唱与腔"的风格特征。音乐中的语言与发声方式、润腔组成了传统"唱与腔"的结构基础,而通过山歌音乐所体现出来的情感与修养、自娱与表演等又共同印证了传统"唱与腔"的特征。
[Abstract]:Hakka folk music is widely distributed in the north and south of the great rivers in China, and Hakka folk music has distinct traditional cultural characteristics. The Hakka folk songs in Jiangxi Province, located in the northwest of Jiangxi Province, are from Guangdong, Fujian, Fujian, The Hakka music elements in Gannan and other places have long collided with the music elements of the native people. After 200 or 300 years of running in, the Hakka music elements have formed their specific traditional style of "singing and singing". Runcao forms the structural foundation of traditional "singing and singing", and the characteristics of traditional "singing and singing" are confirmed by the emotion and self-cultivation, entertainment and performance of folk music.
【作者单位】： 江西科技师范学院音乐学院;中国音乐学院;
【基金】：江西省高校人文社会科学研究项目课题“江西铜鼓客家山歌的旋律特性与演唱研究”(课题编号:ys0801)
【分类号】：J607
，

本文编号：1621936