谐谑曲的历史演变及其谐谑精神

发布时间：2018-04-18 13:58

本文选题：谐谑曲 + 形式　；参考：《南京艺术学院》2007年硕士论文

【摘要】： 谐谑曲，是一种产生于文艺复兴末期的音乐体裁，最初指的是具有戏谑、诙谐特点的声乐小曲或器乐小曲，后海顿将谐谑曲引进奏鸣曲套益并确立了它的使用地位，在浪漫主义早中期得到广泛的流行与发展，形成注重内容的特征，并逐渐融入许多作曲家个性特质，于19世纪中叶由肖邦等人发展至高峰。19世纪中叶以后，谐谑曲作为一种独立的体裁其概念变得更为宽泛模糊，所涵盖的范围也更广，而谐谑性则常常隐藏于某些其他体裁之中，以“谐谑精神来呈现。本文以17世纪到19世纪间的谐谑曲为研究对象，从形式与内容的关系角度，运用技术分析与文化分析相结合的方法，对谐谑曲不同历史阶段形态特征与变化、与其它相关体裁之间关系进行分析比较和归纳，以及对谐谑曲在不同历史时期社会观念变化影响下，其内部演变和外部延伸特征进行了考察与分析，，总结出谐谑曲“形式→内容的二维转化特征，即“形式→内容转化的内部演变特征和“形式→内容转化的外部延伸特征。
[Abstract]:Scherzo is a kind of musical genre that originated in the late Renaissance. At first, it refers to the vocal or instrumental music with the characteristics of banter and humor. Later Haydn introduced the banter into the sonata suite and established its use status.In the early and middle period of Romanticism, it was widely popular and developed, forming content-oriented characteristics, and gradually incorporating many composers' personality traits, which developed from Chopin and others in the mid-19th century to the peak in the mid-19th century.As an independent genre, the concept of Scherzo becomes broader and blur, and its scope is wider, while banter is often hidden in some other genres and presented in the spirit of banter.This paper takes the Scherzo from the 17th century to the 19th century as the object of study. From the angle of the relationship between form and content, using the method of combining technical analysis and cultural analysis, this paper analyzes the morphological characteristics and changes of Scherzo in different historical stages.The relationship between Scherzo and other relevant genres is compared and summarized, and the internal evolution and external extension characteristics of Scherzo under the influence of social concept changes in different historical periods are investigated and analyzed.This paper summarizes the characteristics of the two-dimensional transformation of the form and content of the Scherzo, that is, the internal evolution of the transformation of the form and content and the external extension of the transformation of the form.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J609

【引证文献】