论王建民的二胡作品对二胡艺术发展的意义
发布时间:2018-04-19 13:15
本文选题:二胡 + 王建民 ; 参考:《上海音乐学院》2007年硕士论文
【摘要】: 二胡作为一种独奏艺术形式经过近一个世纪的发展,现已成为我国民族音乐中最具代表性和最具表现力的民族乐器之一。回顾这近一个世纪的发展历程,我们大概可以把其分为四个时期:初创时期;繁荣和发展时期;拓展和光大时期;探索和创新时期。王建民作为第四个时期的优秀代表之一,从1988年至今已陆续创作出六部二胡作品(另外还有十几首古筝乐曲,也同样取得了很大的成功)。尤其是三首二胡狂想曲的推出,在当今的二胡界乃至我国的整个民族器乐界引起了很大的反响。时至今日,以演奏王建民的二胡作品成了一种二胡演奏技术水平的体现。我们可以看到,从20世纪九十年代至今,无论是各种类型的国内外二胡比赛,各级音乐院团的考试曲目,各种大小音乐会的节目单上几乎都会有王建民的二胡作品。这种现象促使我们应尽快地对王建民的二胡创作加以认真地研究,尤其是处在二胡学科建设前沿的专业音乐院校。本文正文分为四个章节,,以王建民的三首二胡狂想曲为例,从二胡创作理念和音乐特质、王建民二胡创作的技术与风格特点、二胡创作与演奏技术的结合与发展、准确地把握和演奏好王建民二胡作品的必要准备这四个方面入手,通过较深入系统地分析和研究王建民的二胡创作对二胡艺术发展所具有的意义。以期增强对二胡发展的信心,帮助我们能够更好地理解和更准确地演奏好王建民的二胡作品,并为二胡学科的建设和发展起到积极的作用。
[Abstract]:Erhu, as a solo art form, has become one of the most representative and expressive national musical instruments in Chinese folk music after nearly a century of development.Looking back on the development of the past century, we can divide it into four periods: the beginning period; the prosperity and development period; the expansion and development period; and the exploration and innovation period.Wang Jianmin, as one of the outstanding representatives of the fourth period, has produced six erhu works since 1988.Especially, the introduction of three erhu Rhapsody has aroused great repercussions in Erhu and the whole national instrumental music circle.Nowadays, playing Wang Jianmin's erhu works has become the embodiment of erhu playing technique.We can see that from the 1990s to the present, whether it is all kinds of domestic and foreign erhu competitions, music troupes at all levels, all kinds of concert programs almost will have Wang Jianmin's erhu works.This phenomenon urges us to study Wang Jianmin's erhu creation seriously as soon as possible, especially the specialized music colleges which are at the forefront of erhu discipline construction.The text of this paper is divided into four chapters, taking Wang Jianmin's three erhu Rhapsody as an example, from the erhu creation idea and the music characteristic, the Wang Jianmin erhu creation technique and the style characteristic, the erhu creation and the performance technique union and the development.In order to grasp and play the necessary preparation of Wang Jianmin's erhu works accurately, this paper analyzes and studies the significance of Wang Jianmin's erhu creation to the development of erhu art.In order to enhance the confidence in the development of erhu, help us to better understand and more accurately play Wang Jianmin's erhu works, and play a positive role in the construction and development of erhu discipline.
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J632.21
【参考文献】
相关期刊论文 前1条
1 王建民;丽江地区纳西族民歌旋律特征初探[J];南京艺术学院学报(音乐及表演版);2000年04期
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