斯克里亚宾的钢琴音乐语言及其演奏——以其《第九奏鸣曲》为例

发布时间：2018-04-21 01:19

本文选题：斯克里亚宾 + 第九奏鸣曲　；参考：《黄钟(中国.武汉音乐学院学报)》2012年01期

【摘要】：作曲家斯克里亚宾在其音乐创作中呈现出清晰的阶段性。他的《第九奏鸣曲》属于晚期作品,具有典型的叫人"无所适从"的"斯克里亚宾语言"的特点。文章通过对该作品演奏的剖析,界定、诠释其风格特色,认为要深刻了解斯克里亚宾的创作经历和思维变迁,以及导致其音乐创作的复杂的文化背景,才能全盘把握住斯克里亚宾的音乐语言与演奏特征。
[Abstract]:The composer Scriabin presents a clear stage in his music creation. His Sonata No. 9 belongs to the late works and has the characteristic of "Scriabin's language". By analyzing, defining and interpreting the style and characteristics of the work, this paper holds that it is necessary to deeply understand Scriabin's creative experience and changes in thinking, as well as the complex cultural background leading to his music creation. In order to grasp the music language and playing characteristics of Scriabin.
【作者单位】：武汉音乐学院钢琴系;
【分类号】：J624.1

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