门德尔松第一钢琴协奏曲的分析与研究

发布时间：2018-06-26 20:18

本文选题：门德尔松 + 第一钢琴协奏曲　；参考：《上海师范大学》2008年硕士论文

【摘要】： 德国作曲家菲利克斯·门德尔松-巴托尔迪从小就受到严格的音乐训练,生活、创作经历也十分顺利,所以他的作品风格轻松优美,富有诗意。由于他对古典音乐传统的潜心学习,使得其音乐风格在浪漫中具有古典音乐的典雅之美,并在严谨的结构布局中创造精美的诗情。他在短暂的一生中笔耕不辍,留下了大量的作品,他的创作所涉及的体裁包括交响曲、序曲、清唱剧、钢琴曲以及其它的作品。他的交响曲以《第三交响曲》(《苏格兰》)、《第四交响曲》(《意大利》)最为著名,而钢琴曲则当推他首创的钢琴体裁形式:无词歌,这一体裁成为19世纪特性曲的重要体裁之一,这些作品集中体现了门德尔松作为早期浪漫主义音乐家的音乐个性和创作语汇,在音乐史上占有重要的地位。门德尔松的钢琴协奏曲,相比较起小品集《无词歌》而言不是那么有名,在音乐会和比赛上是属于被“遗忘”的作品。本文就以他的《g小调第一钢琴协奏曲》为研究对象,借助乐谱和音响资料以及相关的文献资料,通过自己实际的弹奏,在感性、理性相结合的基础上,结合作品的创作背景、风格特征和艺术特色对这部作品进行分析阐述。第一钢琴协奏曲是门德尔松青年时期的作品,虽然不及后期的作品那样成熟,但也体现了作曲家自己的个性和创作特征,他取消了协奏曲的双呈示部写法,将华彩段与整个乐曲自然融为一体,使用一个动机将三个乐章贯穿起来,并把三个乐章不间断地连奏下去,这在一定程度上预示了他的后期作品的成功之处。目前国内外已陆续发表和出版了一些研究门德尔松及其音乐作品的文章和书籍,从不同程度上进行了分析研究,在钢琴作品的研究方面,大多数文章是对他的小品《无词歌》作研究,或者对门德尔松的钢琴作品的艺术特征方面作整体性的概述,而对他的协奏曲的研究则相对较少一些。因此本文将从作品的曲式、和声、织体以及钢琴技巧方面来探悉他的创作特点和艺术特色,尤其是钢琴技巧方面,门德尔松既有传承的方面,又有某些启迪浪漫主义中后期的钢琴演奏发展的趋势的方面。通过本文的写作,希望可以引起世人对门德尔松的钢琴协奏曲的关注和加深对这部作品的了解。
[Abstract]:German composer Felix Mendelson-Bartholdi was trained in music, lived and created smoothly, so his writing style was easy and beautiful and poetic. Because of his absorbed study of classical music tradition, his musical style has the elegance of classical music in romance, and creates exquisite poetic feelings in the rigorous structure layout. Throughout his short life, he wrote a lot of works, including symphonies, prelude, oratorio, piano and other works. His symphonies are most famous for "Symphony No. 3" ("Scotland"), "Symphony No. 4" ("Italy"), and the piano music is one of the most important genres of 19th-century characteristic songs when it comes to his first form of piano genre: song without words. These works embody Mendelssohn's musical personality and creative vocabulary as early Romantic musicians and play an important role in the history of music. Mendelssohn's piano concerto, which is less famous than the anthology of songs without words, is "forgotten" in concerts and competitions. This article takes his Piano Concerto No. 1 in g minor as the research object, with the help of music score, sound data and relevant literature, through his own actual playing, on the basis of the combination of sensibility and rationality, combining the creative background of the work. The style and artistic features of this work are analyzed and elaborated. The first piano concerto was the work of Mendelssohn's youth. Although it was not as mature as the later works, it also reflected the composer's own personality and creative characteristics. He cancelled the double presentation of the concerto. To a certain extent, the success of his later works is indicated by the natural integration of the colorful passages with the whole music, the use of one motive to penetrate the three movements and the uninterrupted concatenation of the three movements. At present, some articles and books on Mendelssohn and his musical works have been published and published at home and abroad. Most of the articles are devoted to the study of his essay "Song without ci", or a holistic overview of Mendelssohn's piano works, while the study of his concerto is relatively few. Therefore, this article will explore his creative and artistic characteristics from the aspects of music, harmony, texture and piano skills, especially in the piano skills, Mendelssohn has inherited aspects. There are also some enlightening aspects of the development of piano playing in the middle and late stages of Romanticism. Through the writing of this paper, we hope to arouse the world's attention to Mendelssohn's piano concerto and deepen the understanding of this work.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J624.1

【引证文献】