歌剧《茶花女》中薇奥莱塔人物形象的艺术魅力论析
发布时间：2018-11-03 15:34
【摘要】： “薇奥莱塔”是威尔第在《茶花女》中成功塑造的歌剧形象，也是闻名于世界的经典歌剧形象之一。本文立足于薇奥莱塔咏叹调的音乐因素和薇奥莱塔人物的戏剧因素，结合谱例，从“崇高”和“悲剧性”两个方面具体论析了薇奥莱塔人物形象的审美价值和艺术魅力。 基本思路是：在歌剧本性论及歌剧美学的理论指导下，从“歌剧人物高度上分析”的角度论析作曲家如何以剧中人物为出发点，采用种种艺术手段在过程中展开和完成对歌剧形象的塑造，从而使歌剧人物上升为生动，鲜明，感人的歌剧形象，进而赋予歌剧作品长久的艺术价值和魅力。在理论现实意义上，本文从薇奥莱塔咏叹调的音乐因素，，人物形象的戏剧特征和审美价值，以及作曲家一度创作心理等方面进行的综合分析，有利于丰富发展我国传统的歌剧理论，有利于进一步深刻地挖掘该歌剧作品的艺术内涵和价值，同时有助于演唱者从更深层次上塑造薇奥莱塔歌剧形象和对薇奥莱塔咏叹调进行二度创作。 本文在写作安排上遵循“作品—人物—作品”和“创作，表演，欣赏”两条逻辑线索。全文共分为四大部分：第一章主要交待《茶花女》的创作背景和创作心理；第二章主要从音乐和戏剧两因素分析作曲家如何对薇奥莱塔人物形象进行塑造和演唱者如何进行二度创作；第三章，主要从美学角度分析薇奥莱塔形象的“崇高”和“悲剧性”审美价值；第四章，从“薇奥莱塔”歌剧形象看威尔第歌剧的独特艺术魅力。
[Abstract]:Violeta is a successful opera image created by Verdi in Camellia and one of the most famous operas in the world. Based on the musical factors of Violeta arias and the dramatic factors of Violeta's characters, this paper analyzes the aesthetic value and artistic charm of Violeta's characters from the aspects of "sublime" and "tragic". The basic ideas are as follows: under the guidance of the theory of opera nature and opera aesthetics, this paper discusses how the composer takes the characters in the opera as the starting point from the angle of "the height analysis of opera characters". In the process, various artistic means are used to develop and complete the shaping of the opera image, thus making the opera figures rise to vivid, vivid and moving opera images, thus endowing the opera works with the artistic value and charm for a long time. In the theoretical and practical sense, this paper makes a comprehensive analysis of the musical factors of Violeta aria, the dramatic characteristics and aesthetic value of the characters, and the composers' psychology of once creating. It is beneficial to enrich and develop the traditional opera theory in our country, and to further dig into the artistic connotation and value of the opera work. At the same time, it helps the singer to create Violeta opera image and second creation of Violeta aria. This paper follows two logical clues of "works-people-works" and "creation, performance and appreciation" in writing arrangement. The thesis is divided into four parts: the first chapter mainly explains the background and psychology of the creation of "Camellia Girl"; The second chapter mainly analyzes how the composer shapes the character of Violeta and how the singer creates the second time from the two factors of music and drama. The third chapter mainly analyzes the aesthetic value of Violeta's "sublime" and "tragic" from the aesthetic point of view, and the fourth chapter looks at the unique artistic charm of Verdi's opera from the "Violeta" opera image.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J832;J617.2
本文编号：2308209
[Abstract]:Violeta is a successful opera image created by Verdi in Camellia and one of the most famous operas in the world. Based on the musical factors of Violeta arias and the dramatic factors of Violeta's characters, this paper analyzes the aesthetic value and artistic charm of Violeta's characters from the aspects of "sublime" and "tragic". The basic ideas are as follows: under the guidance of the theory of opera nature and opera aesthetics, this paper discusses how the composer takes the characters in the opera as the starting point from the angle of "the height analysis of opera characters". In the process, various artistic means are used to develop and complete the shaping of the opera image, thus making the opera figures rise to vivid, vivid and moving opera images, thus endowing the opera works with the artistic value and charm for a long time. In the theoretical and practical sense, this paper makes a comprehensive analysis of the musical factors of Violeta aria, the dramatic characteristics and aesthetic value of the characters, and the composers' psychology of once creating. It is beneficial to enrich and develop the traditional opera theory in our country, and to further dig into the artistic connotation and value of the opera work. At the same time, it helps the singer to create Violeta opera image and second creation of Violeta aria. This paper follows two logical clues of "works-people-works" and "creation, performance and appreciation" in writing arrangement. The thesis is divided into four parts: the first chapter mainly explains the background and psychology of the creation of "Camellia Girl"; The second chapter mainly analyzes how the composer shapes the character of Violeta and how the singer creates the second time from the two factors of music and drama. The third chapter mainly analyzes the aesthetic value of Violeta's "sublime" and "tragic" from the aesthetic point of view, and the fourth chapter looks at the unique artistic charm of Verdi's opera from the "Violeta" opera image.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J832;J617.2
【引证文献】
相关期刊论文 前2条
1 张艺;;论歌剧《茶花女》对当代学生的现实意义[J];大舞台;2012年01期
2 邹筱丹;;论《唐卡洛斯》中人物塑造的戏剧性[J];四川戏剧;2013年04期
相关硕士学位论文 前6条
1 肖明艳;论威尔第歌剧《茶花女》中薇奥莱塔的艺术形象塑造[D];西南大学;2011年
2 程翔;轻型不“轻”[D];中国音乐学院;2011年
3 高娟;论社会底层女性人物在歌剧中的艺术表现[D];河南大学;2010年
4 徐文博;论合唱在威尔第歌剧中的应用特征[D];陕西师范大学;2010年
5 周密;《茶花女》从小说到歌剧—兼论歌剧的音乐戏剧语言[D];上海音乐学院;2012年
6 周曼清;从小说到歌剧[D];湘潭大学;2012年
本文编号：2308209
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