对普罗科菲耶夫《第一小提琴协奏曲》的研究
发布时间：2018-12-30 10:17
【摘要】： 普罗科菲耶夫的创作以清新奇丽的艺术魅力著称,以潇洒自如的音乐语言见长,并由此而确立了在二十世纪音乐创作中的重要地位,构成了音乐艺术发展的一个有代表性的方向。他创作的《第一小提琴协奏曲》是大家都很熟悉的、演奏比较多的作品。当代研究者对普罗科菲耶夫在和声手法、创作风格、音乐语言的继承与革新等方面做了大量的工作,成绩显著,相对来说,对作曲家具体乐曲的音乐本体分析以及乐曲不同版本比较的研究资料略显不足。本文写作是在前人研究工作的基础上,运用了理论与实际演奏相结合的分析方法,以一个小提琴演奏者的视角对这首协奏曲进行分析,从本体研究入手,对流传较广的八个演绎版本进行研究,并归纳相关资料,用理论和逻辑的方法进行综合性研究,对这首协奏曲的音乐本体进行了详细的分析,并提出部分困难片段的练习建议;总结了作曲家的五条创作路线在这首协奏曲中的具体体现;对八个不同的演绎版本在各自的个性特色及音乐内涵的揭示等方面进行了比较和总结。希望可以对今后的小提琴音乐创作及对于这一作品的更好演绎有一定的启发作用。
[Abstract]:Prokofyev's creation is famous for its fresh and beautiful artistic charm and its natural and free musical language, which has established its important position in music creation in the 20th century. Constitute a representative direction of the development of music art. His first Violin Concerto is well known and plays a lot of works. Contemporary researchers have done a lot of work on Prokofyev's harmony techniques, creative style, inheritance and innovation of musical language, and achieved remarkable results, relatively speaking, The research on the music ontology of the composer's specific music and the comparison of the different versions of the music is a little insufficient. Based on the previous research work, this paper uses the analytical method of combining theory with practice, analyzes the concerto from the perspective of a violinist, and starts with the study of ontology. This paper studies the eight widely circulated deductive versions and summarizes the relevant materials, and makes a comprehensive study with the methods of theory and logic, and makes a detailed analysis of the music ontology of this concerto, and puts forward some practical suggestions of some difficult fragments. This paper summarizes the concrete embodiment of five creative routes of the composer in this concerto, and compares and summarizes the eight different deductive versions in the aspects of their individual characteristics and the revelation of their musical connotations. It is hoped that it will enlighten the violin music creation in the future and the better interpretation of this work.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J622.1
[Abstract]:Prokofyev's creation is famous for its fresh and beautiful artistic charm and its natural and free musical language, which has established its important position in music creation in the 20th century. Constitute a representative direction of the development of music art. His first Violin Concerto is well known and plays a lot of works. Contemporary researchers have done a lot of work on Prokofyev's harmony techniques, creative style, inheritance and innovation of musical language, and achieved remarkable results, relatively speaking, The research on the music ontology of the composer's specific music and the comparison of the different versions of the music is a little insufficient. Based on the previous research work, this paper uses the analytical method of combining theory with practice, analyzes the concerto from the perspective of a violinist, and starts with the study of ontology. This paper studies the eight widely circulated deductive versions and summarizes the relevant materials, and makes a comprehensive study with the methods of theory and logic, and makes a detailed analysis of the music ontology of this concerto, and puts forward some practical suggestions of some difficult fragments. This paper summarizes the concrete embodiment of five creative routes of the composer in this concerto, and compares and summarizes the eight different deductive versions in the aspects of their individual characteristics and the revelation of their musical connotations. It is hoped that it will enlighten the violin music creation in the future and the better interpretation of this work.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J622.1
【引证文献】
相关硕士学位论文 前1条
1 金s，
本文编号：2395436
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