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解读“开皇乐议”中的几个谜团

发布时间:2019-02-16 13:36
【摘要】:本文对隋初"开皇乐议"中郑译所说的几个问题进行了解读。1.究竟"几声(二声、三声、声声)乖应"?笔者认为"二声乖应"最妥,因为郑译等人尊奉"正声音阶"而贬抑下徵音阶,前者第四级音为变徵,后者为清角,故曰"二声乖应";2.苏祗婆音阶问题:按今通用唱名,龟兹音阶实为一自然七声音阶之Sol调式音阶,而郑译出于错误的音乐理念,将根本不是龟兹音阶、而与"正声音阶""冥若合符"的一组音(Fa、Sol、La、Si、Do、Re、Mi),充为龟兹音阶译介过来,藉以"校正"乐府所用的下徵音阶;3."八音之乐"问题:"八音之乐"即"八风"(八声音列)之乐,系由仲吕宫下徵音阶与黄钟宫下徵音阶综合而成的八声音列,用以打通两调域阀而获得更大的空间和表现力。其第八音因在应钟律位,故称"应声"。
[Abstract]:This paper interprets several problems of Zheng's translation in Kaihuang Yue Yi in the early Sui Dynasty. 1. After all, "how many sounds (two, three, sound) should be good"? The author thinks that "the second sound should be obedient" is the most appropriate, because Zheng Yin and others deprecate the scale by honoring the "positive sound level". The former's fourth tone is changed and the latter is a clear horn, so it is called "the second sound should be obedient"; 2. Su's scale problem: according to today's universal name, the Qiuzi scale is in fact a natural seven-tone Sol scale, and Zheng's translation, out of the wrong musical concept, will not be the Qiuzi scale at all. And with "positive sound level" Hades if the symbol "a group of sounds (Fa,Sol,La,Si,Do,Re,Mi), as Qiuzi scale translation, in order to" correct "Yuefu used the lower scale; 3. " Music of eight sounds: the music of eight sounds is the music of eight wind, which is a series of eight sounds which is composed of the lower synonym of Zhong Lu Gong and the scale of the lower sign of Huang Zhong, which is used to open the two-tone field valves and gain more space and expression. Its eighth tone in response to the rhythm of the clock, so called "response to the sound."
【作者单位】: 天津音乐学院;
【分类号】:J609.2

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1 葛恩专;开皇乐议研究[D];陕西师范大学;2011年



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