作者理论和文学问题

发布时间：2018-01-05 16:17

本文关键词：作者理论和文学问题　出处：《文艺理论研究》2010年01期 　论文类型：期刊论文

【摘要】：本文反思了后结构主义对作者观念的挑战,认为作者在文学和文化文本解释中仍然占据十分重要的地位。在西方文学传统中,对文学的兴趣是受关于作者、作者是什么的某种不确定性所引导的,并且此类兴趣事实上是由对作者所赋予的文本性、意义、意图的界限难以抗拒的违反来推动的。文章以对特德.休斯《生日信札》的争论为例,指出人们首先根据诗歌与诗人或者诗人生活的某种关系来界定诗歌,文学的定义和文学的价值判断问题最终都指向或者求助于作者。而一些最基本的文学问题,如文学的虚构性,文学与范例性,与唯一性和普遍性有着奇特的联系的观念,都与作者问题密切相关。
[Abstract]:This paper reflects on the challenge of poststructuralism to the author's concept, and holds that the author still occupies a very important position in the interpretation of literature and cultural texts. In the western literary tradition, the interest in literature is concerned with the author. Some uncertainty about what the author is is guided by, and such interest is in fact given to the author by the textuality, meaning. An irresistible violation of the boundaries of intention. The article takes the controversy over Ted Hughes's Birthday Letters as an example, pointing out that poetry is first defined according to the relationship between poetry and the poet or poet's life. The definition of literature and the value judgment of literature ultimately point to or seek help from the author, while some of the most basic literary problems, such as the fiction of literature, literature and paradigm. The idea that there is a peculiar connection with uniqueness and universality is closely related to the author's problem.
【作者单位】：布里斯托尔大学英文系;南京大学文学院;
【分类号】：I0
【正文快照】： 在写于1981年的《作者身份诸理论》的导言中,约翰.考菲(John Caughie)认为,“对作者作为文本来源和中心观念的挑战……在当代批评和美学理论中一直占据着决定性的地位。”考菲指出,二十世纪后期的批评和理论正是“在这个挑战中建立起来的,恰如19-20世纪的诸多哲学是通过对上

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