审美与求真的角力——论“典型”的内涵及其争论的根源

发布时间：2018-01-19 07:14

本文关键词： 当代文艺学黑格尔哲学周扬胡风鲍姆加登《判断力批判》艺术创造实践理性朱光潜审美活动 　出处：《文艺争鸣》2014年06期 　论文类型：期刊论文

【摘要】：正"典型"是一个在中国现当代文艺学和美学中多次引起争论的理论问题。上个世纪二三十年代,周扬和胡风就这个问题争论过,建国后又出现过两次大规模争论。新时期以来,随着西方各种新理论、新思潮的涌入,文艺学和美学的议题层出不穷,既新颖又多样,人们遂对这一理论问题失去了热情。有学者认为在上个世纪80年代中期以后,典型就开始"崩解"了。(1)然而,时至今日,典型也还是文艺批评中的常用语,也没有完全淡出研究者的视线。近年来某些著作对典型的
[Abstract]:"typical" is a theoretical issue that has been debated many times in Chinese modern and contemporary literature and art and aesthetics. In 0th century, Zhou Yang and Hu Feng argued on this issue. Since the founding of the people's Republic of China, there have been two large-scale debates. Since the new period, with the influx of various new theories and new thoughts in the West, the topics of literature and art and aesthetics have emerged in endlessly, which are both novel and diverse. People have lost enthusiasm for this theoretical problem. Some scholars believe that after the middle of -20s, the typical began to "disintegrate".) however, to this day. It is also a common term in literary criticism and has not completely faded out of the attention of researchers.
【作者单位】：吉林大学哲学社会学院马克思主义哲学博士后流动站;吉林大学文学院;
【基金】：国家社科基金项目“美国文学与美利坚民族文化意识研究”(批准号:12BWW030) 吉林大学学科前沿与交叉学科创新项目“莫瑞·克里格批评理论研究”(批准号:450060482162)的阶段性成果
【分类号】：I01
【正文快照】： “典型”是一个在中国现当代文艺学和美学中多次引起争论的理论问题。上个世纪二三十年代,周扬和胡风就这个问题争论过,建国后又出现过两次大规模争论。新时期以来,随着西方各种新理论、新思潮的涌入,文艺学和美学的议题层出不穷,既新颖又多样,人们遂对这一理论问题失去了热情

【参考文献】