论瓦萨里的一个艺术理论概念

发布时间：2018-02-02 05:57

本文关键词： 线性结构理论概念艺术史绘画素描雕塑家亚里士多德准确表达艺术家艺术理论　出处：《文艺研究》2011年02期 　论文类型：期刊论文

【摘要】：在瓦萨里的艺术理论中,"disegno"是一个非常重要的概念。瓦萨里认为,自然是绘画及雕塑的"母亲",而"disegno"则是诸种艺术的"父亲"。"disegno"是内在观念的某种视觉表现和陈述,是那种在观念中被赋形之物的外在表达。对于瓦萨里来说,当"disegno"通过判断而得出任何事物的一个内在图像时,它所要求的,便是人的双手通过多年学习与实践,而可以自由灵巧地准确表达自然的任何造化。如果说,"disegno"作为理念、普遍判断或创意的含义显得过于形而上,那么其作为素描,以及作为某种线性结构或线性图式的所谓外在表达的含义,则颇为实在和形而下了。本文旨在对瓦萨里的"disegno"概念进行探讨,考查其不同层面的内涵及其传统渊源。
[Abstract]:In Vasari's theory of art, "disegno" is a very important concept. Vasari believes that nature is the "mother" of painting and sculpture. "disegno" is the "father" of all kinds of arts. "disegno" is a visual representation and statement of the inner concept. It is the external expression of what is shaped in the idea. For Vasari, it is required when "disegno" comes up with an internal image of anything by judgment. It is through years of study and practice that human hands can freely and accurately express any creation of nature. If you say, "disegno" as an idea. Universal judgment or creative meaning appears to be too metaphysical, then it as a sketch, as well as as a linear structure or linear schema of the so-called external expression of the meaning. The purpose of this paper is to probe into the concept of "disegno" in Vasari, and to examine its connotation in different levels and its traditional origin.
【作者单位】：南京师范大学美术学院;
【分类号】：J110.9
【正文快照】： 乔尔乔·瓦萨里(Giorgio Vasari)的《画家、雕塑家和建筑家名人传》(Le Vite de piùeccellentipittori,scultori ed architetti,后简称《名人传》)被视为西方第一部艺术史著作。它不仅为后世展示了一幅意大利文艺复兴艺术的壮观画卷,而且也提供了一套颇为系统的视觉艺术理论

【共引文献】