论现代艺术的陌生化特征

发布时间：2018-03-06 06:22

本文选题：陌生化　切入点：现代艺术　出处：《华中师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：奇特化,反常化是现代人认识世界的特殊方法,也认识是现代人的基本切入点。而这种追求个性,追求对惯常生活的违反,表现在艺术里就是刻意地追求创新,与陌生化思路有着根本上的一致性。只是在生活里陌生化的追求表现为个性与另类,而在艺术里,陌生化体现为艺术的观念和方法。一个不可否认的事实是,在艺术里面,无论过去还是现在,陌生化一直是作为一种艺术的思维方式存在的。它潜伏在我们创作与欣赏的每个角落,但我们未必意识到它的存在。近来,这种艺术思维在现代派文艺那里得到了多方面得张扬。现代派文艺中所表现的主题,人物,题材等都是对传统的反叛,从某种意义上说现代派文艺本身就是陌生化。现代派文艺和陌生化都是不理会艺术法则和既有成规,努力寻找或探索艺术表达可能性的尝试,只是现代派文艺是将陌生化发挥到极致甚至将这种艺术理念强调到不适当程度的表现。它们主要从三个层面深化了陌生化的艺术思维:作为一种言说策略,作为一种艺术手段和作为一种审美体验。经过现代派文艺对陌生化有意无意地发现和运用,使陌生化作为一种艺术理念成了现代艺术的突出特征。虽然对于陌生化方法的运用是古已有之的艺术现象,但事实表明,前人有陌生化的方法却没有陌生化的理念。正是现代派文艺对艺术创新的刻意与执著,使我们对陌生化的无意识遵循上升为一种有意识的追求,从而使陌生化思维作为一种艺术理念凸现出来。现代派文艺的艺术实践至少表明以下两点:一是,向我们明确了一个显而易见的问题即艺术只有不断地陌生化才能获得持久的生命力;二是,经过现代派文艺的艺术发挥,陌生化作为艺术的内在属性,已经成为现代艺术的基本特征。本文将主要围绕现代派文艺中的陌生化表现这一核心问题展开讨论,并由此来探讨文艺理论中基本命题的建设问题。
[Abstract]:Strangeness is a special way for modern people to understand the world, and cognition is also a basic entry point for modern people. And this pursuit of individuality, the pursuit of violation of habitual life, is manifested in art as a deliberate pursuit of innovation. The pursuit of defamiliarization in life is characterized by individuality and heterogeneity, while in art, defamiliarization is embodied in the concept and method of art. It is an undeniable fact that in art, past and present, strangeness has always existed as an artistic way of thinking. It lurks in every corner of our creation and appreciation. But we may not be aware of its existence. Recently, this kind of artistic thinking has gained publicity in many ways in modernist literature and art. The themes, characters, themes, etc. of modernist literature and art are all rebellious against tradition. In a sense, modernist literature and art itself are defamiliarization. Modernist literature and art and defamiliarization are attempts to find or explore the possibility of artistic expression regardless of the art rules and established rules. It is only that modernist literature and art is a manifestation of bringing strangeness to its maximum and even emphasizing this artistic concept to an inappropriate degree. They mainly deepen the defamiliarization artistic thinking from three levels: as a kind of speech strategy, As an artistic means and as an aesthetic experience, strangeness has become a prominent feature of modern art through the intentional and unintentional discovery and application of modernist literature and art to strangeness as an artistic concept. Although the application of defamiliarization method is an ancient art phenomenon, the fact shows that there is no defamiliarization idea in forefathers. It is the intention and persistence of modernist literature and art to create art. So that we follow the unconsciousness of defamiliarization into a conscious pursuit, so that defamiliarization thinking as an artistic concept highlights. The art practice of modernist literature and art shows at least the following two points: first, It has made clear to us the obvious problem that art can gain lasting vitality only if it is constantly defamiliarized. Second, through the art of modernist literature and art, strangeness is the intrinsic attribute of art. It has become a basic feature of modern art. This paper will mainly discuss the core problem of strangeness in modernist literature and art, and discuss the construction of basic propositions in literary and art theory.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J01

【引证文献】