形式何以成为本体——西方美学中的形式观念探本

发布时间：2018-03-06 17:45

本文选题：形式　切入点：内容　出处：《学术研究》2010年10期 　论文类型：期刊论文

【摘要】：西方艺术和美学中存在着两种基本的形式观念:一种是内容—形式模型,认为形式只是现象,是艺术作品的感性外观,在根本上是由内容所决定的;另一种是形式—质料模型,认为艺术作品是形式与质料的统一体,而形式则是作品的本体。从古希腊到19世纪,前一种模型一直占据主导地位;从19世纪中叶开始,后一种模型取代了前一种模型,西方艺术由此走向了形式主义和抽象主义。发生这种转换的原因,是由于现代技术的发展从根本上解决了模仿性的难题,导致现代艺术彻底抛弃了对于具体事物的模仿和再现,转向对于抽象意义的直接表达。这种转向使得现代艺术变得十分晦涩和抽象,从而引起了"艺术终结论"的喧嚣。但我们认为,现代艺术的抽象性乃是一种直观的抽象性而不是思辨的抽象性,仍旧保持了艺术的直观本性,而这种本质直观能力乃是一切真理之源,因此不会导致艺术的终结。
[Abstract]:There are two basic formal concepts in western art and aesthetics: one is the content-form model, the other is the form-material model, which holds that form is only a phenomenon and is the perceptual appearance of a work of art, which is fundamentally determined by the content. Art works are the unity of form and material, and form is the ontology of works. From ancient Greece to 19th century, the former model occupied the dominant position; since the middle of 19th century, the latter model has replaced the former model. The reason for this transformation is that the development of modern technology has fundamentally solved the problem of imitation, which has led to the complete abandonment of imitation and reproduction of concrete things in modern art. The direct expression of abstract meaning. This turn makes modern art very obscure and abstract, thus causing the uproar of "the end of art". But we think, The abstractness of modern art is a kind of intuitionistic abstraction rather than speculative abstractness, which still keeps the intuitive nature of art, and this essential intuitive ability is the source of all truth, so it will not lead to the end of art.
【作者单位】：浙江大学中文系;
【分类号】：I01

【共引文献】