丰子恺艺术审美理论初探

发布时间：2018-03-07 03:17

本文选题：艺术审美理论　切入点：儒释互补　出处：《首都师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：在20世纪中国美学的研究中，丰子恺一直以艺术家的身份居于其中，但随着学术理论的深入拓展，其艺术审美理论逐渐浮出水面，得到越来越多学者的重视。本文针对近年来丰子恺研究的具体情况及存在的问题，对其艺术审美理论进行了系统的梳理和阐释，以期在新的历史背景下重新挖掘这位艺术家背后的理论内涵，确立其在20世纪中国美学史上真正的地位。本文共分为三章。第一章“丰子恺艺术审美理论的生成背景及来源”，介绍丰子恺身处的20世纪初特殊的时代背景及文化背景，并从丰子恺身上承传的“儒释互补”思想、对西方理论的接受和“儒化”两个方面分析其艺术审美理论的来源，为丰子恺艺术审美理论的具体阐释奠定了基础。第二章“丰子恺艺术审美理论的基本内涵”，本章是全文的重点，从“艺术本体观”和“艺术价值观”两方面系统梳理并阐释丰子恺的艺术审美理论。其中“艺术本体观”主要围绕着：以“真善美”为核心的艺术审美本质观、追求“中和之美”的艺术美感形式观、主张“物我一体”的审美主客体关系论，，三方面展开；“艺术价值观”则主要围绕着：注重现实意义的艺术功能观和注重人格修养的艺术教育观两方面展开，旨在通过理论的具体阐释揭示出丰子恺艺术审美理论的基本构成及内涵。本章最后还总结出了丰子恺艺术审美理论“言浅意深”及“感悟式”的阐述特征。第三章“丰子恺艺术审美理论的局限性”，由于丰子恺艺术审美理论是在特殊的历史时期产生和成熟起来的，这就不可避免地会带有一定局限性。本章总结出丰子恺理论的时代性、理论内部的矛盾性以及他在西方理论接受过程中理解上的偏差，希望对丰子恺的艺术审美理论有一个客观地、整体地认识。
[Abstract]:In 20th century, Feng Zikai lived as an artist in the study of Chinese aesthetics. However, with the further development of academic theory, his aesthetic theory of art gradually surfaced and received more and more scholars' attention. Aiming at the concrete situation and existing problems of Feng Zikai's research in recent years, this paper systematically combs and explains his artistic aesthetic theory in order to rediscover the theoretical connotation behind this artist in the new historical background. To establish its true position in the history of Chinese aesthetics in 20th century. This paper is divided into three chapters. The first chapter, "the background and origin of Feng Zikai's aesthetic theory of art", introduces the special background of the era and culture in the beginning of 20th century, and inherits the thought of "Confucianism and Buddhism complement each other" from Feng Zikai. The author analyzes the origin of his artistic aesthetic theory from two aspects: the acceptance of western theory and the "Confucianism", which lays a foundation for Feng Zikai's interpretation of art aesthetic theory. The second chapter, "the basic connotation of Feng Zikai's aesthetic theory of art", is the focus of this paper. From two aspects of "artistic Noumenon" and "artistic value", this paper systematically combs and interprets Feng Zikai's artistic aesthetic theory, in which "artistic Noumenon" mainly revolves around: "Truth, good and Beauty" as the core of artistic Aesthetic essence, Pursuing the aesthetic aesthetic form view of "the beauty of neutralization", and advocating the aesthetic subject-object relationship theory of "matter and me as a whole". "artistic values" mainly revolves around two aspects: the artistic function view of realistic significance and the artistic education view of personality accomplishment. The purpose of this chapter is to reveal the basic composition and connotation of Feng Zikai's artistic aesthetic theory through the concrete interpretation of the theory. Chapter three, "limitations of Feng Zikai's Aesthetic Theory of Art", because the artistic Aesthetic Theory of Feng Zikai came into being and matured in a special historical period, This chapter summarizes the epochal nature of Feng Zikai's theory, the contradiction within the theory and the deviation in his understanding of the western theory. Hope to Feng Zikai's aesthetic theory of art has an objective, overall understanding.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J01

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