论中国当代油画冲破泡沫经济以后的发展趋势

发布时间：2018-03-23 23:36

本文选题：市场经济　切入点：油画市场　出处：《重庆大学》2011年硕士论文

【摘要】：油画是西方传统绘画中一个重要的艺术形式。在独特的历史背景下,油画在中国真正的发展只有一百多年。比较于中国传统书画,他在中国的的影响力和社会认可度都不高。因此在这一百多年的发展历程中,相当长的时间内,投资者和收藏者对中国油画都没有过多的兴趣。在中国内地油画确切的进入市场,成为商品,也就是上世纪80年代才开始。就港台地区的油画市场的形成也都比内地要早,内地的油画市场曾经一度都是中国艺术市场中最低迷,最少被关注的灰色地带。随着21世纪中国内地加入世贸组织,内地的市场经济得到进一步的繁荣。随着经济的好转,人民的文化生活和精神需求逐年增加,在与全球文化沟通和经济交流扩大的背景下,随着外国资本介入并参与操作,国内的画廊与拍卖公司也联手进行资本运作,直接促使中国油画价格呈直线上升趋势,引起人们高度注意;伴随着人们对中国油画市场关注度的不断提高,油画的收藏与投资固定群体逐渐壮大,中国油画艺术市场发展迅猛,随之而来便是油画市场泡沫化现象不断涌现。随着当代艺术价格节节攀升,伪“当代”艺术开始充斥市场。中国当代艺术界由于与市场接轨时间较晚,没有形成市场的规范秩序和评判标准,所以充斥各种各样稀奇古怪的艺术理论和流行文化的媚俗的伪当代艺术作品流入到市场中去。他们之所以能进入市场是因为处于创作者对经济的追求,和一些商人的操控和炒作。这样的艺术作品,并没有反映时代社会的面貌时代的精神和艺术家内心的世界。而是一味的跟风,调侃大众文化。没有什么特别的艺术审美价值。并且毒害了人们的心灵,破坏了正常的艺术市场规则。从长远来看,阻碍中国油画的探索性发展。反映艺术家心灵世界和社会万象的奥妙的作品才具有艺术审美的本质。面对眼前的诱惑,中国当代艺术家应该保持自尊自爱和找回自己作品中独特独立的品质。真诚,稳重地对待自己的艺术创作,甩掉那些浮躁又功利性的包袱。同时理论家和批评家也应该即是注意建立合理,有序的艺术市场价值体系,为中国艺术市场的健康全面发展负起责任,并且注重与中国当代艺术与西方艺术的交流和探讨,而不是一味的借鉴,失去自己本土的特色。只有这样,中国当代油画发展的空间才会更加广阔。
[Abstract]:Oil painting is an important art form in western traditional painting. Under the unique historical background, oil painting has only developed in China for more than 100 years. His influence in China and his social recognition are not high. Therefore, in the course of the development of these more than 100 years, for quite a long time, Neither investors nor collectors have much interest in Chinese oil paintings. Oil paintings in the mainland of China have definitely entered the market and become commodities, that is, in the 1980s. The oil painting market in Hong Kong and Taiwan was also formed earlier than that in the mainland. The mainland oil market was once the most depressed and least watched grey area in China's art market. With the entry of the mainland into the WTO in the 21st century, the mainland's market economy has gained further prosperity. With the improvement of the economy, the people's cultural life and spiritual needs have increased year by year. In the context of expanding cultural and economic exchanges with the world, with the involvement of foreign capital and participation in operations, domestic galleries and auction companies have also joined forces to operate capital, which has directly contributed to the rise in the prices of Chinese oil paintings in a straight line. With the increasing attention to the Chinese oil painting market, the collection and investment of the fixed group of oil painting is gradually growing, and the Chinese oil painting art market is developing rapidly. The following is the oil painting market bubble phenomenon constantly emerging. As the price of contemporary art continues to rise, the pseudo-" contemporary "art is beginning to flood the market. Due to its late integration with the market, the contemporary art community in China has not formed the normative order and judgment criteria of the market. So all sorts of bizarre art theories and popular culture's vulgar, pseudo-contemporary works of art flow into the market. They get into the market because they're in the creators' pursuit of the economy. And the manipulation and speculation of some businessmen. Such works of art do not reflect the face of the times, the spirit of the times and the inner world of artists. Instead, they blindly follow the trend. In the long run, it hinders the exploratory development of Chinese oil painting. Only mysterious works that reflect the world of the artist's soul and the world of society have the essence of artistic aesthetics. In the face of the present temptation, Chinese contemporary artists should keep their self-esteem and self-love and find the unique and independent qualities in their works. Treat your artistic creation steadily and get rid of the impetuous and utilitarian burden. At the same time, theorists and critics should also pay attention to the establishment of a reasonable and orderly art market value system. Take responsibility for the healthy and comprehensive development of the Chinese art market, and pay attention to the exchange and discussion with Chinese contemporary art and Western art, rather than blindly learn from them and lose their own local characteristics. Only in this way, The space of the development of Chinese contemporary oil painting will be more extensive.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J124

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