感伤与艺术创造

发布时间：2018-04-08 07:09

本文选题：感伤　切入点：艺术创造　出处：《南京师范大学》2002年博士论文

【摘要】： 这是一篇研究感伤与艺术创造之关系的论文。中西方的文艺家在论及艺术的时候，都注意到了情感在艺术中的地位和作用，有的甚至还将其提升到本体论的高度，将情感问题看成是文艺的本质问题，但在对情感的具体分析上仍不够深入；中西方文艺家在论及感伤的时候也大都看到了“感伤”作为一种“风格”与经典艺术作品产生之关系，并将“感伤”作为前缀使用，冠之以诸种艺术门类之前，，但这对感伤来说有点降格使用。正是鉴于以上两点原因，本文在对经典艺术作品进行具体分析的基础上，在“情感论艺术观”的逻辑起点上对情感做了更为详尽的分析，在“感伤的风格流派论”的基础上对感伤做了相应的适度的提升。认为：在诸多情感形态当中，感伤更趋近于艺术创造的本源，它应当是艺术家心灵和生存的最高境界。感伤不仅仅是某一流派的风格，它更应当是艺术整体风格的呈现。全文包括前言、正文六章和结论八个部分。前言是对整个论文写作原因、写作目的、正文内容和研究方法的概括叙述。正文的第一章和第二章是总述，是从宏观上论述感伤产生的原因及其与艺术创造之关系：第一章偏重于从逻辑的角度，第二章偏重于从历史的视阈。正文的第三章、第四章是分述，是从微观上分述为什么说感伤是艺术家心灵和生存的最高境界：第三章侧重于艺术家主体的内在心灵，第四章侧重于艺术家主体的外在的生存环境。第五章主要论述感伤在艺术种的表现形式，第六章则是辅之以个案研究。结论归结全篇。
[Abstract]:This is a study of the relationship between sentimental and artistic creation.When discussing art, Chinese and Western writers and artists have paid attention to the position and function of emotion in art, and some have even elevated it to the level of ontology, and regarded emotional problems as the essential problems of literature and art.However, the specific analysis of emotion is still not deep enough. Chinese and Western writers and artists, when dealing with sentimentality, also see the relationship between "sentimentality" as a kind of "style" and classical works of art, and use "sentimental" as a prefix.Before the various categories of art, but for sentimental use a bit demotion.In view of the above two reasons, on the basis of the concrete analysis of the classical art works, this paper makes a more detailed analysis of emotion on the logical starting point of "emotion theory of art".On the basis of the theory of sentimental style, this paper makes a proper promotion of sentimentality.Among the many emotional forms, sentimentality is closer to the origin of artistic creation, and it should be the highest state of artist's soul and existence.Sentimentality is not only the style of a certain school, but also the presentation of the whole style of art.The full text includes preface, main body six chapters and conclusion eight parts.The preface is a summary of the reasons, purposes, contents and research methods of the whole thesis.The first and second chapters of the text are a general introduction, which discusses the causes of sentimental formation and its relationship with artistic creation from a macro perspective: the first chapter focuses on logic, and the second chapter on the perspective of history.The third chapter, the fourth chapter of the text is the division, is from the microscopic point of view why said sentimental is the artist's soul and the survival of the highest realm: the third chapter focuses on the artist's inner mind,The fourth chapter focuses on the external living environment of the artist's subject.The fifth chapter mainly discusses the expression form of sentimentality in art, and the sixth chapter is supplemented by case study.The conclusion comes down to the whole article.
【学位授予单位】：南京师范大学
【学位级别】：博士
【学位授予年份】：2002
【分类号】：I01

【引证文献】