船山情感论审美研究

发布时间：2018-05-29 14:05

本文选题：船山 + 性情　；参考：《湖南师范大学》2005年硕士论文

【摘要】：船山著作,卷帙浩繁,内容丰赡,研究者可以从不同视角、不同侧面进行探讨。本文借重存在主义、阐释学、符号论以及怀疑论美学的运思方法,以作品、诗学、哲学为进路,追问船山情感理论,发现其情感论虽然没有明确精细的条理,甚至充满矛盾,但是却蕴涵丰富而有启发性的情感学内容。船山一生充满劳绩与诗情,因而情感论是其诗学、哲学不可忽视的部分。船山诗歌情感论认为诗歌的本源是情感,雅俗问题是与情感息息相关的,情感的“贞、正”决定着作品价值的高低,因而缘性而动的情感在作品中起着决定作用,性情是诗歌作品的本源。但船山非“奖情”论者,其情感论存在着矛盾。船山哲学情感论包括儒学性情论和对佛道“无情”论的阐释。儒学性情论采用了两种阐释方法,一种是“生”,一种是“在中”。“惟性生情”是继承朱子的阐释方法,其推论的结果:情为善而非恶;“性自行于情中”是船山自创的阐释方法,其推论的结果:“情无自质",“恶根于情”。因而其儒学性情论是充满矛盾的,缘性而动的情感才是其理想状态。佛道“无情”论是船山批判的对象,然而,对相宗、庄子的解读,船山发现了“现量”情感、“斯须”情感的合理性。由于“成心”的去除,“两行”的处世态度的获得,船山性情论具有美学化的倾向。儒、佛、道三种视域的融合共同建构了船山情感论。性情之善,无情之真构成船山情感论之美;真善美的统一,使共时性的“性情”获得了艺术本体之地位。
[Abstract]:Chuanshan's works are voluminous and abundant, which can be explored from different perspectives. This article uses existentialism, hermeneutics, symbolism and skepticism aesthetics as the way of thinking, taking works, poetics and philosophy as the way to pursue Chuanshanshan's emotional theory, and finds that its emotional theory is not clear and precise, even full of contradictions. But it contains rich and enlightening affective content. Chuanshan's life is full of laborious achievements and poetic feelings, so the theory of emotion is a part of his poetics which can not be ignored in philosophy. The emotional theory of Chuanshan's poetry holds that the origin of poetry is emotion, and the problem of elegance and vulgarity is closely related to emotion. The "virginity and positive" of emotion determines the value of the work, so the emotion of the relationship plays a decisive role in the work. Temperament is the origin of poetry. But Chuanshan is not "prize sentiment" theorists, its emotional theory has contradictions. Chuanshan's philosophical emotion theory includes Confucian temperament theory and the explanation of Buddhism and Taoism's "ruthlessness" theory. Confucian temperament theory adopts two interpretation methods, one is "born" and the other is "in the middle". "only nature gives birth to emotion" is the interpretation method of inheriting Zhu Zi, the result of its inference is that emotion is good rather than evil; "sex on its own" is the interpretation method of Chuanshan's own creation; the result of its inference is "emotion has no self-quality" and "evil is rooted in emotion". Therefore, his Confucian temperament is full of contradictions, and the emotion is the ideal state. The "merciless" theory of Buddhism and Taoism is the object of Chuanshan's criticism. However, in the interpretation of Xiangzong and Zhuangzi, Chuanshan discovered the emotion of "present quantity" and the rationality of emotion of "Si Shu". Due to the removal of "heart" and the acquisition of "two lines" attitude towards the world, Chuanshan's temperament theory has an aesthetic tendency. The fusion of Confucianism, Buddhism and Taoism constructs Chuanshan emotional theory. The beauty of Chuanshan's emotion theory is formed by the kindness of disposition and the truth of merciless, and the unity of truth, goodness and beauty makes the synchronic "disposition" gain the status of artistic Noumenon.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I01

【引证文献】