生命美学的理论价值和局限
发布时间：2018-10-16 12:48
【摘要】：文艺活动是人类所特有的精神活动,文艺作品是创作主体的精神创造产物,因此,文艺的主体性问题一直为理论界所关注,并成为重大的美学和文艺学理论问题。对文艺主体性理论的研究,对于当代文学理论体系的建立具有重要的理论意义。兴起于二十世纪九十年代的生命美学以其独特的视角对主体性问题进行研究,引起了理论界的关注。 作为审美主体论的生命美学自有其理论自身的价值和局限,如果能将生命美学对主体性问题的阐释进行梳理,对生命美学理论自身的价值和局限做出较为客观的评价,这对于推动美学理论的发展将是非常有意义的。本文试图通过对这一问题的梳理与分析,希望借此对主体性问题的研究有所助益。 导言:对生命美学理论作简单介绍,主要包括:生命美学的思想来源,生命美学的基本特征,以及生命美学的发展概观。 第一章:生命美学的理论价值。生命美学作为一种新的美学理论,它的产生体现了一定的理论超越性,自身具有一定的理论价值,主要表现在以下几个方面:第一,审视主体价值的独特视角;第二,对审美主体价值的高扬;第三,现实针对性和理论启迪性。生命美学理论是针对实践美学的薄弱之处提出的,所以它的提出视角对实践美学的发展是一种提示,并且对于主体性问题的研究也是富有积极推动意义的。 第二章:生命美学的理论局限。主要表现在以下三个方面:一,审美主体论逻辑起点的虚无性。这里将通过逐层分析生命美学对西方现当代美学的阐释与对中国传统文化的理解,来详尽了解生命美学对生命和生命活动诠释的模糊性和虚无性。二,生命美学对主体性的偏颇理解。首先论述了生命美学理论体现了主体个体性与社会性的脱离,然后指出生命美学理论表现出其对主体感性与理性关系的割裂。这两点鲜明地反映了生命美学理论对主体性的偏颇理解和肤浅认识。三,生命美学对实践美学的片面认识。首先指出生命美学对实践美学实践本质的片面
[Abstract]:Literary and artistic activities are the special spiritual activities of human beings, and literary works are the spiritual creation products of creative subjects. Therefore, the subjectivity of literature and art has always been concerned by the theorists, and has become a major theoretical issue of aesthetics and literature and art. The study of the theory of literary subjectivity is of great theoretical significance to the establishment of the theoretical system of contemporary literature. Life aesthetics, which rose in 1990's, studies subjectivity from its unique angle of view, which has attracted the attention of the theorists. Life aesthetics, as an aesthetic subject theory, has its own value and limitation. If we can sort out the interpretation of life aesthetics to the subjectivity, we can make a more objective evaluation of the value and limitation of life aesthetics theory itself. This will be of great significance to promote the development of aesthetic theory. This paper attempts to comb and analyze this problem in the hope that it will be helpful to the study of subjectivity. Introduction: a brief introduction to the theory of life aesthetics, including: the ideological source of life aesthetics, the basic characteristics of life aesthetics, as well as the development of life aesthetics overview. Chapter one: the theoretical value of life aesthetics. Life aesthetics as a new aesthetic theory, its emergence reflects a certain theoretical transcendence, its own theoretical value, mainly in the following aspects: first, a unique perspective to examine the value of the subject; second, The value of aesthetic subject; third, realistic pertinence and theoretical enlightenment. The theory of life aesthetics is aimed at the weakness of practical aesthetics, so its angle of view is a hint to the development of practical aesthetics, and the study of subjectivity is also of positive significance. Chapter two: the theoretical limitation of life aesthetics. It mainly shows in the following three aspects: first, the nihilism of the logic starting point of aesthetic subject theory. By analyzing the interpretation of life aesthetics to modern and contemporary western aesthetics and the understanding of Chinese traditional culture, we will understand in detail the fuzziness and nihilism of life aesthetics to life and life activities. Second, life aesthetics has a biased understanding of subjectivity. This paper first discusses that the theory of life aesthetics reflects the separation between individual subject and sociality, and then points out that the theory of life aesthetics shows the separation of the relationship between subject sensibility and reason. These two points clearly reflect the biased understanding and superficial understanding of subjectivity in life aesthetics theory. Third, the one-sided understanding of practical aesthetics in life aesthetics. First of all, it points out that life aesthetics is one-sided to the practical essence of practical aesthetics.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I01
本文编号：2274410
[Abstract]:Literary and artistic activities are the special spiritual activities of human beings, and literary works are the spiritual creation products of creative subjects. Therefore, the subjectivity of literature and art has always been concerned by the theorists, and has become a major theoretical issue of aesthetics and literature and art. The study of the theory of literary subjectivity is of great theoretical significance to the establishment of the theoretical system of contemporary literature. Life aesthetics, which rose in 1990's, studies subjectivity from its unique angle of view, which has attracted the attention of the theorists. Life aesthetics, as an aesthetic subject theory, has its own value and limitation. If we can sort out the interpretation of life aesthetics to the subjectivity, we can make a more objective evaluation of the value and limitation of life aesthetics theory itself. This will be of great significance to promote the development of aesthetic theory. This paper attempts to comb and analyze this problem in the hope that it will be helpful to the study of subjectivity. Introduction: a brief introduction to the theory of life aesthetics, including: the ideological source of life aesthetics, the basic characteristics of life aesthetics, as well as the development of life aesthetics overview. Chapter one: the theoretical value of life aesthetics. Life aesthetics as a new aesthetic theory, its emergence reflects a certain theoretical transcendence, its own theoretical value, mainly in the following aspects: first, a unique perspective to examine the value of the subject; second, The value of aesthetic subject; third, realistic pertinence and theoretical enlightenment. The theory of life aesthetics is aimed at the weakness of practical aesthetics, so its angle of view is a hint to the development of practical aesthetics, and the study of subjectivity is also of positive significance. Chapter two: the theoretical limitation of life aesthetics. It mainly shows in the following three aspects: first, the nihilism of the logic starting point of aesthetic subject theory. By analyzing the interpretation of life aesthetics to modern and contemporary western aesthetics and the understanding of Chinese traditional culture, we will understand in detail the fuzziness and nihilism of life aesthetics to life and life activities. Second, life aesthetics has a biased understanding of subjectivity. This paper first discusses that the theory of life aesthetics reflects the separation between individual subject and sociality, and then points out that the theory of life aesthetics shows the separation of the relationship between subject sensibility and reason. These two points clearly reflect the biased understanding and superficial understanding of subjectivity in life aesthetics theory. Third, the one-sided understanding of practical aesthetics in life aesthetics. First of all, it points out that life aesthetics is one-sided to the practical essence of practical aesthetics.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I01
【引证文献】
相关硕士学位论文 前3条
1 张志祥;论西美尔的生命美学[D];西藏民族学院;2011年
2 徐笑浓;审美化教学研究[D];湖南师范大学;2007年
3 廖艳;老子人生美学思想的现代解读[D];四川师范大学;2010年
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