“影响的焦虑”背后的权力意志——布鲁姆误读理论的主体性特征

发布时间：2018-11-11 17:28

【摘要】：布鲁姆从考察作者创作心理开始,反对传统的文学史观,认为后辈作家总是试图超越来自前辈的"影响的焦虑",这种超越即是误读,它反映在创作中则是一系列的修正比。对主体的重视使误读从一种错误变为正确乃至不可避免的规律,这是布鲁姆的一个独创。它不注重作家的社会历史环境、生平经历等外在因素,而关注作家在纯创作领域、作品在纯文本领域的传承与颠覆,并且采取从后向前追溯的反向研究方法,为文学史研究提供了新颖的思路。布鲁姆的误读理论具有强烈的精英意识,回归主体研究,然而不是传统意义上的自足的主体,而是颠覆性的、延异性的主体,因而它是解构式的误读研究。
[Abstract]:Bloom began to examine the author's creative psychology and opposed the traditional view of literary history. He believed that the later generation writers always tried to transcend the "influence anxiety" from the older generation. This transcendence is misreading, and it is reflected in the creation as a series of revised ratios. It is Bloom's originality to pay attention to the subject to change misreading from an error to a correct or even inevitable rule. Instead of paying attention to the social and historical environment, life experience and other external factors, it pays attention to the inheritance and subversion of the writers in the field of pure creation and in the field of pure text, and adopts the reverse research method of tracing back to the past. It provides a new way of thinking for the study of literary history. Bloom's misreading theory has a strong meritocracy consciousness and returns to the subject study. However, it is not a self-sufficient subject in the traditional sense, but a subversive and continuous subject, so it is a deconstructed misreading study.
【作者单位】：西安外国语大学中文学院;
【基金】：教育部人文社会科学研究一般项目“解构主义误读理论研究”(10YJC751088) 陕西省教育厅专项科研计划项目“美国修辞性误读理论研究”(11JK0283)
【分类号】：I04

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