宋代六种音释研究

发布时间：2018-04-29 13:59

本文选题：宋代 + 音释　；参考：《广西师范大学》2013年硕士论文

【摘要】：在我国历代的古籍中,音释资料都大量存在着,这也成为音韵学上研究古代语音的重要材料之一。而宋代作为汉语语音发展史上的重要时期,宋音的研究也尤为重要。但是综观前人的研究成果,宋人韵书韵图的研究和宋人词韵的研究都取得了很大的成就,相对而言,在对宋代音释资料的系统研究上还不全面,从而不能更加充分合理的展现宋代历史语音面貌。本文共选取《绍兴重雕大藏音》《柳河东集》《别本韩文考异》《胡氏春秋传》《律文音义》《太玄经释文》6本书籍中所收录的宋人音释资料,通过与《广韵》(《广韵》未收入的,选择《集韵》)的切音进行比较,对其中能够反映宋代语音特点的音注材料进行分析,从而揭示出宋代语音面貌及其发展的一些规律。论文共分为四章。第一章,绪论。简述对宋代音注材料进行研究的概况和意义,论文材料来源,如何处理音注材料以及在处理材料过程中应该注意的问题。第二章,对6家音注材料进行整理校勘后,从声韵调三个方面分别对6家音注材料进行横向的描写,判断其间反映的语音现象和音变现象,归纳各家音释的语音特点。第三章,对6家音注材料进行系统的比对,各家都有一些重要的语音特点,结合宋之前的语音研究成果,通过纵向比较,我们发现6家音注材料有以下特点：第一,收录的音切主要有三类,一是当时比较有影响的韵书(如《广韵》、《集韵》)、字书(如《说文》、《玉篇》)的音切。各家音释中,这类音切占绝大多数。二是依据当时通语音而定的音切。这类音切在各家音释中均有相当数量,说明宋时通语语音对宋人音释亦有重要影响。三是依据诸家方音而定的音切,这类音切在各家音释中比较少见。第二,六家音释各自所反映的通语音面貌大体一致：①声类上：全浊声母清化已经具有很强的系统性；轻重唇分化和舌音的分化基本完成；知、章、庄三组声母合流；精组与知庄章部分合流；影、以、云三母合流等等。②韵类上：同摄内部各韵大量合并,止摄、遇摄、效摄、流摄、通摄五摄内部各韵合并现象非常普遍；蟹摄、臻摄、山摄、梗摄、咸摄五摄内部各韵因洪细不同而分为两类。不同韵摄之间也有合流现象,止蟹两摄混切,曾梗两摄混切,咸山入声也已合并。六家音释在韵类上大量简化。③在声调上,全浊上声变去声现象已经出现。第四章,结语。总结了论文研究的基本情况以及论文研究价值。通过论文的写作,提出本人进行下一步研究的看法。本文立足于材料,用事实说话,从横向和纵向两个方面进行比较,充分发挥音释材料在宋代语音研究中的作用。
[Abstract]:In the ancient books of our country, there are a lot of phonetic interpretation materials, which has become one of the important materials in phonology to study ancient phonology. The Song Dynasty, as an important period in the history of Chinese phonological development, the study of Song tone is particularly important. However, looking at the previous research results, the research on the rhyme map of Song people's rhyme books and the study of Song's ci rhyme have made great achievements. Relatively speaking, the systematic research on the phonetic interpretation data of Song Dynasty is not comprehensive. In order to more fully and reasonably show the history of the Song Dynasty voice outlook. In this paper, the author selects six books, "Shaoxing heavy Diao Da Zang Yin", "Liu he Dong Ji", "other Korean characters", "Hushi Spring and Autumn Biography", "Lu Wen Phonology and meaning", "Taixuan Sutra interpretation" 6 books collected in this paper, through the collection of "Guangyun" ("Guangyun") ("Guangyun"), The phonetic materials which can reflect the phonetic characteristics of the Song Dynasty are analyzed, and the phonetic features of the Song Dynasty and some rules of its development are revealed. The thesis is divided into four chapters. Chapter one, introduction. This paper briefly describes the general situation and significance of the research on the phonetic injection materials in Song Dynasty, the source of the paper materials, how to deal with the phonetic injection materials and the problems that should be paid attention to in the process of processing the materials. In the second chapter, after collating and collating the six phonetic notes, the author describes the six phonetic materials from three aspects, judges the phonetic phenomenon and the phonological change, and sums up the phonetic characteristics of each phonetic interpretation. In the third chapter, we compare the six phonetic materials systematically, each of them has some important phonetic characteristics. Combined with the achievements of phonological research before Song Dynasty, we find that the six phonetic materials have the following characteristics: first, There are three kinds of notes included, one is the sound cutting of the more influential rhyme books at that time (such as "Guangyun", "Ji Yun > Li", and "character Book" (such as "Shuo Wen", "Yu Chapter"). In the various phonetic interpretation, this kind of sound cut accounts for the overwhelming majority. The second is based on the sound of the voice at that time. This kind of pronunciation has a considerable number in each phonetic interpretation, which indicates that Song Shitong pronunciation also has an important influence on the Song people's phonetic interpretation. The third is based on the tone cut of the local sound, which is relatively rare in the various phonetic interpretation. Second, the phonetic features of each of the six phonetic interpretations are roughly the same as those of the first one: the total turbid consonant has been highly systematic, the differentiation of light and heavy lips and tongue sounds has been basically completed, the confluence of the three groups of consonants is known, zangzhang and Zhuangzhuang; The combination of the refined group and the Zhizhuang Zhang; Shadow, and so on in the category of 2. 2 rhymes: a large number of the rhymes in the same photo, stop, meet, effect, flow, and take a picture of the five pictures of the master are very common; the crab, the master, the mountain, and so on; the crab, the master, the mountain, and so on. The internal rhymes of the five shots are divided into two categories because of their different characteristics. There is also a convergence between the different rhyme photography, the crab two mixed cut, Teng Teri two mixed cut, the saltwater into the sound has also been amalgamated. In the rhyme category, the six phonetic interpretations simplify a large number of 3. 3 in tone, and the phenomenon of total turbid and desonant has already appeared. Chapter four, conclusion. The basic situation and research value of the thesis are summarized. Through the writing of the paper, I put forward my views on the next research. This paper is based on the material, uses the fact to speak, carries on the comparison from the horizontal and the longitudinal two aspects, fully exerts the phonetic material in the Song Dynasty phonetic research function.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H113

【参考文献】