汉字美学:物性能指、诗性表征及生态意旨——以《说文解字》为考察中心

发布时间：2018-06-10 18:02

本文选题：说文解字 + 汉字美学　；参考：《湖南师范大学社会科学学报》2017年01期

【摘要】：作为一种表意文字,依类象形、形声相益、因义构形的汉字,体现了中国人源远流长的"象思维"。正因对"象"与"形"的依赖,汉字符号的物性能指无处不在。作为初民时代诗性思维的重要载体,汉字先在地体现出直觉感悟、象征指事、隐喻表达的诗性特质。汉字的创制和演化,始终伴随着中国人对于世界的感性认知和哲学思考,汉字思维的原初就是对天、地、人三者关系的感性叩问。汉字亦由此被赋予了中国先民朴素的生态存在论。汉字本身潜藏的生态意旨以及许慎在《说文解字》中对汉字的哲学观照,构成了一个"字思维"基础上生成的生态场域。建构了中国人文化人格和心灵图谱的汉字,是中华美学研究不可或缺的重要资源。
[Abstract]:As a kind of ideographic characters, the Chinese characters with pictographs, shapes and sounds are beneficial to each other, because of their meaning, which embodies the "image thinking" which has a long history in China. Because of the dependence on "image" and "shape", the physical properties of Chinese characters are everywhere. As an important carrier of poetic thinking in the early folk era, Chinese characters first embody the poetic characteristics of intuition, symbolism and metaphor. The creation and evolution of Chinese characters are always accompanied by the Chinese people's perceptual cognition and philosophical thinking about the world. Therefore, Chinese characters are endowed with the simple ecological existential theory of Chinese ancestors. The ecological intention of Chinese character itself and the philosophical reflection of Chinese characters in Shuowenjiezi by Xu Shen constitute an ecological field based on "character thinking". It is an indispensable resource for Chinese aesthetic research to construct Chinese characters with cultural personality and mental atlas.
【作者单位】：武汉大学文学院;贵州日报报业集团;
【基金】：国家社会科学基金重大项目“中国文化元典关键词研究”(12&ZD153)
【分类号】：H122

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