“汉字图象”的美学观照
发布时间：2018-10-26 12:41
【摘要】："汉字图象"是中华民族的"元书写"。"汉字学"经历了古代的深厚积淀,在现代迎来了新的拓展。当代西方学术的进展,尤其是西方哲学中的"语言学转向"和德里达的"文字学",促使我们更为深刻地重新认识自己的"文字学"。"汉字图象"概念的提出,则呼应着当代文化的"图像转向"以及中国学术界的"文学与语言"的转变。中国美学需要注重自身的特殊性,因此,"汉字学转向"是必然趋势;其中"汉字图象"研究的展开是重要一环。构建"汉字图象美学",需要以"汉字图象美学理论构架"为核心,展开"汉字图象各谱系所包涵的美学意蕴"、"汉字图象的生成与还原"两翼。在"汉字图象"研究中,"本质还原"需要经由汉字造字原初情境的直观来实现。如此,汉字图象美学的目标便指向了中华民族的精神现象学。
[Abstract]:"Chinese character image" is the "meta-writing" of the Chinese nation. "Chinese character study" has experienced a deep accumulation in ancient times and ushered in a new development in modern times. The development of contemporary western learning, especially the linguistic turn in western philosophy and Derrida's philology, urges us to reunderstand our philology more deeply. The concept of "Chinese character image" is put forward, which echoes the "image turning" of contemporary culture and the change of "literature and language" in Chinese academic circles. Chinese aesthetics needs to pay attention to its own particularity, therefore, "the turn of Chinese characters" is an inevitable trend, in which the study of "Chinese character image" is an important part. In order to construct "Chinese character image aesthetics", it is necessary to take "Chinese character image aesthetics theory frame" as the core, to expand the "aesthetic implication of each pedigree of Chinese character image" and "the generation and restoration of Chinese character image". In the study of Chinese character image, "essence restoration" needs to be realized through the intuitionistic of the original situation of Chinese character formation. In this way, the target of Chinese character image aesthetics points to the spiritual phenomenology of the Chinese nation.
【作者单位】： 南京师范大学文学院;
【分类号】：H12
本文编号：2295753
[Abstract]:"Chinese character image" is the "meta-writing" of the Chinese nation. "Chinese character study" has experienced a deep accumulation in ancient times and ushered in a new development in modern times. The development of contemporary western learning, especially the linguistic turn in western philosophy and Derrida's philology, urges us to reunderstand our philology more deeply. The concept of "Chinese character image" is put forward, which echoes the "image turning" of contemporary culture and the change of "literature and language" in Chinese academic circles. Chinese aesthetics needs to pay attention to its own particularity, therefore, "the turn of Chinese characters" is an inevitable trend, in which the study of "Chinese character image" is an important part. In order to construct "Chinese character image aesthetics", it is necessary to take "Chinese character image aesthetics theory frame" as the core, to expand the "aesthetic implication of each pedigree of Chinese character image" and "the generation and restoration of Chinese character image". In the study of Chinese character image, "essence restoration" needs to be realized through the intuitionistic of the original situation of Chinese character formation. In this way, the target of Chinese character image aesthetics points to the spiritual phenomenology of the Chinese nation.
【作者单位】： 南京师范大学文学院;
【分类号】：H12
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