深远的拒绝与致命的感染——比较鲁迅与施米特对浪漫主义艺术的批判及其“人观”之源

发布时间：2018-01-01 10:20

本文关键词：深远的拒绝与致命的感染——比较鲁迅与施米特对浪漫主义艺术的批判及其“人观”之源　出处：《云南大学学报(社会科学版)》2016年01期 　论文类型：期刊论文

【摘要】：中国和德国都属于现代化后进之国,两国在现代化进程中多有共同之处。形形色色的浪漫主义艺术在此过程中极度活跃,对两国都产生了复杂深远的影响。卡尔·施米特与鲁迅是同时代人,两人都对现代化宿命有清醒认识,同时也极力批判浪漫主义艺术潜伏的巨大危险与破坏性,本文首先分析比较两人的浪漫主义艺术批判,进而追溯到其背后隐藏的两人的"人观"之异同。然而尽管痛苦求索,两人都没有为民族找到真正的良药与出路。鲁迅最终陷入绝望——反抗绝望的"浪漫循环"中,而施米特则自己深陷于浪漫主义之恶的极端——在纳粹罪恶之中无法自拔。本文试图证明,这两位浪漫主义艺术的深刻批判者,其思想本身依旧未能逃脱他们所批判的"浪漫"。而这最激烈地启示了,必须找到一个本源的真实基础,才可能真正洞察批判浪漫主义,这也是本论文最后憧憬的方向。
[Abstract]:China and Germany belong to the modernization of backward country, there are many similarities between the two countries in the process of modernization. The romantic art of every hue is extremely active in this process, has a far-reaching influence on the complex between the two countries. Karl Schmidt and Lu Xun are in the same period, two people have a clear understanding of the modern fate, but also strongly criticized the romantic art latent danger and destruction, this paper first analyzes and compares the two critique of romantic art, two people and then back to the hidden "people view" similarities and differences. However, despite a painful search, two people did not find out the real medicine and for the nation. Lu Xun eventually fell into despair against despair the "romantic cycle", and Schmitt himself in a romantic evil extreme, unable to extricate themselves in Nazi guilt. This paper tries to prove that the two main romantic The deep critics of Yi art still fail to escape their criticism of "Romance". This most intense revelation is that we must find the true foundation of a source so that we can truly penetrate the critical romanticism, which is the last vision of this paper.

【作者单位】：复旦大学;
【分类号】：I106
【正文快照】： 众所周知,现代化进程带来了许多空前的福祉,同时也使人类的生存状态越来越陷入危机。而且,现代化转型因着迄今为止依然具备的不可逆性,对东西方国家、南北方民族而言都成为了无法避免的宿命。中德两国在此进程中多有共同之处:在欧洲现代化进程中,德国属后进之国;同样在东方现

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