哈佛版《新美国文学史》的后现代主义文学史观及其反思

发布时间：2018-01-21 08:54

本文关键词： 《新美国文学史》文化研究建构小叙事后现代主义　出处：《文艺理论研究》2016年01期 　论文类型：期刊论文

【摘要】：哈佛版《新美国文学史》在叙史的体例、思路、方法等方面开辟了文学史书写的新范式。它具有如下五个特点:第一,秉持文化视野的文学观。文学内涵大大扩容,模糊了文学与文化的边界;第二,体现了后现代主义文化去分化的理念;第三,主张文学史的建构观。第四,拆解总体性历史元叙事,强调历史横断面的小叙事;第五,重视文学接受的考察。辨析该书文学史观念的思想依据,有利于更深刻理解其知识背景与历史语境,并且对这种文学史观念进行必要的批判性反思。
[Abstract]:Harvard's New American Literary History has opened up a new paradigm for writing the history of literature in terms of its style, ideas and methods. It has the following five characteristics: first. Adhering to the view of literature from the perspective of culture, the connotation of literature has been greatly expanded, and the boundary between literature and culture has been blurred; Secondly, it embodies the idea of dedifferentiation of postmodernism culture. Thirdly, it advocates the construction view of literary history. 4th, disassembles the overall historical meta-narrative and emphasizes the small narrative of historical cross-section. In 5th, we attach importance to the investigation of literary acceptance, and analyze the ideological basis of this book's concept of literary history, which is conducive to a deeper understanding of its knowledge background and historical context, and a necessary critical reflection on this concept of literary history.
【作者单位】：武汉大学文学院;
【基金】：国家社会科学基金重大项目[项目编号:12&ZD166]“二十世纪域外文论的本土化研究”的阶段性成果之一武汉大学人文社会科学“70后”学者学术团队项目“海外汉学与中国文学研究的新视野”暨武汉大学自主科研项目(人文社会科学) “中央高校基本科研业务费专项资金”资助项目
【分类号】：I712.09
【正文快照】： 前言继《新法国文学史》(1989)、《新德国文学史》1(2005)问世之后,哈佛大学出版社的国别体“新文学史”系列于2009年9月出版了史诗般的巨著《新美国文学史》(A New Literary History ofAmerica),全书总页数1128页,正文页数1095页。该书由哈佛大学教授、著名音乐学家、文化批

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