哀伤与绝望的浅吟低唱——张爱玲与川端康成比较研究

发布时间：2018-01-30 12:33

本文关键词： 张爱玲川端康成比较研究　出处：《海南大学学报(人文社会科学版)》2017年02期 　论文类型：期刊论文

【摘要】：]张爱玲和川端康成,这两个背景差异极大的作家,其作品却常常有着异曲同工、殊途同归的妙处。主要表现为共同的"悲"与"哀";共同的虚无;还有作品中所体现的关于两性伦理的共同道德淡漠感。在大的共同点之下二者又有着具体表现上的差异。张爱玲作品中的悲哀是显微镜下的冷眼旁观,寒彻骨髓;川端康成笔下的悲哀则是毛玻璃下诗意、温暖的感伤情调。张爱玲的绝望和虚无是看破了人生,不再去计较;川端康成则是看不破人生,陷入人性的泥淖;张爱玲的道德淡漠是对两性伦理的失望,索爱不过是为了谋生;川端康成对所谓两性伦理的漠视则是对世界失望后的退守,其作品中"非常态"两性关系成为人物最后的慰藉。通过这些比较发掘,我们会在相似相通中看到微妙的差异,同时又在差异中看到呼应和共鸣,由此进一步加深对作家和作品的理解。
[Abstract]:Zhang Ailing and Kawabata Kangcheng, the two writers with great differences in background, often have the same work and the same destination in their works, which are mainly manifested in the common "sadness" and "sorrow"; Common nothingness; There is also the common sense of moral indifference about gender ethics embodied in the works. Under the great common ground, there is a specific performance difference between the two. Cold bone marrow; Kawabata Yasunari's sadness is poetical under the glass and warm sentimental sentiment. Zhang Ailing's despair and nothingness see through life no longer to worry about; Kawabata Kangcheng is unable to see through life, fall into the mud of human nature; Zhang Ailing's moral indifference is a disappointment to the ethics of both sexes, while Sony Ericsson is only to earn a living; Kawabata Yasunari's disregard for the so-called gender ethics is a retreat from disappointment to the world, and the "abnormal" relationship between the two sexes in his works becomes the last consolation of the characters. We will see subtle differences in similarity, echo and resonance in differences, thus further deepening our understanding of writers and works.
【作者单位】：信阳师范学院文学院;
【基金】：天津市2012年度哲学社会科学规划课题(TJZW12-002)
【分类号】：I106.4-03
【正文快照】： 有关张爱玲的比较研究,参照对象有很多,如鲁迅、王安忆、苏童、沈从文、萧红、白先勇等。关于川端康成与国内作家的比较研究也有不少。但将川端康成和张爱玲放在一起加以研究却很少见,直观上这是两个完全处于不同时空的作家。但尽管来自不同的文化背景,纵观两人的小说作品,却

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