界限之辨:克洛代尔与中国的对话

发布时间：2018-01-31 02:14

本文关键词： 保尔·克洛代尔界限差异阴阳画框　出处：《外国文学研究》2017年02期 　论文类型：期刊论文

【摘要】：本文以"界限"问题为线索,将法国诗人保尔·克洛代尔1907年的纲领性著作《诗艺》和1946年的艺术评论集《眼在听》联系起来,观察诗人诗学原则的确立和发展,以及在不同时期对东方思想的借鉴。在《诗艺》中,凭借"法国式的"、"清晰、牢固"的"界限",克洛代尔构建了自己基本的理论框架,有选择性地参考了中国"因空而生"的理论和阴阳的并置结构。在《眼在听》中,"界限"被柔化,成为富含东方色彩的"连接与混合的能力",与心灵的状态和灵魂密切相关。从《诗艺》到《眼在听》,体现了诗人与他者文化的持续对话和"共生"。其对创作的反思与实践为东西方"界限"思想的对话做出了贡献。
[Abstract]:Based on the question of "boundaries", this paper links the French poet Paul Clodale's programmatic work "poetic Art" in 1907 to the Art Review Collection "eyes in hearing" in 1946. Observe the establishment and development of poet's poetics principle, and draw lessons from the oriental thought in different periods. In "poetic art", by virtue of "French style", "clear and firm" "boundary". Clodale constructs his own basic theoretical framework, selectively referring to the Chinese theory of "arising from the emptiness" and the juxtaposition of yin and yang. In "Eye in hearing", the "boundary" is softened. The ability to connect and mix, which is rich in oriental color, is closely related to the state of the mind and the soul, from poetic art to eye listening. It reflects the continuous dialogue and "symbiosis" between the poet and the other, and his reflection and practice of creation contribute to the dialogue of the "boundary" between the East and the West.
【作者单位】：华南理工大学外国语学院;
【基金】：华南理工大学中央高校基本科研业务费【2015QNXM06】资助项目的阶段性成果
【分类号】：I565.072
【正文快照】： 1946年,年逾耄耋、著作等身的法国诗人、剧作家克洛代尔出版了著名的艺术评论集《眼在听》,收录了自1935年以来十余篇关于绘画、建筑和音乐的文章。在卷首的《荷兰绘画导论》中,徜徉在阿姆斯特丹旧城区和博物馆中的作家忽然想起一个中国故事:“传说,一位汉朝官员在大雾天于山

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