东方学观照下的川端康成文学的叙事特征

发布时间：2018-03-07 12:55

本文选题：川端康成　切入点：物哀　出处：《安徽大学》2017年硕士论文　论文类型：学位论文

【摘要】：川端康成是亚洲第二个诺贝尔文学获奖作家,这不仅奠定了他在日本国内的文学史地位,也使他获得了世界性声誉。川端康成的文学创作通过对普通日本人生活的展示以及对大和民族的自然和人文细致优美地描写,为读者描绘了一幅属于东方的优美画卷。正是基于这种"东方性",川端康成才获得了世界性的成功。川端康成文学的"东方性"集中展现在其作品的叙事特征上。首先,他通过书写死亡、奇幻的梦境、展现心灵交感的灵异事件、镜像虚化等手段营造了神秘氛围。川端康成对死亡有着特殊的偏好,他深受佛教"生死轮回"、"无常"等观念的影响。在其作品中,死亡是开始,是美丽的,是寻常的。其次,川端康成善于通过对传统文化的具象化再现构建其文学世界。茶道、围棋、女性等文化符号是其作品中的"常客"。这些符号不是简单地堆砌,而是适时地出现在作品中。有时,甚至承担着重要的文本角色。文化符号的插入丰富了作品地表达,也使得川端文学呈现出鲜明东方文化特色。最后,川端文学世界的诗意建构是与其审美观分不开的,在艺术追求上,他倾向于"悲"。他的作品中始终充斥着一种淡淡的忧郁,这种忧郁来自于日本传统审美追求"物哀"的影响。他所写的自然,是于人物同呼吸、共命运的自然,是物与感的交合。他写男女爱情,结局虽不圆满,感情却超越世俗道德,完成了升华。所以,他的忧郁不是一蹶不振的颓废,而是美与现实的调和,也即儒家的"中和"。正如诺贝尔文学奖授奖委员会在授奖词中的评价,正是川端文学这种充满神秘与忧郁叙事特征所蕴含的"纤细的诗意"1与"具有道德伦理价值的文化思想"2,架起了一座沟通"东方与西方之间精神的桥梁"3。研究川端康成文学的"东方性",可以揭示川端康成文学成为世界经典的原因。同时,也可以为东方文学走向世界提供一个可参考的范例。
[Abstract]:Kawabata Yasunari was the second Nobel literature award-winning writer in Asia, which not only established his position in the history of literature in Japan, He also gained a worldwide reputation. Kawabata Yasunari's literary creation described the life of the ordinary Japanese and the natural and human nature of the Daiwa nation in a delicate and graceful way. This paper describes a beautiful picture of the East for readers. It is based on this "Orientality" that Kawabata Yasunari has achieved worldwide success. The oriental character of Kawabata Yasunari's literature is concentrated on the narrative characteristics of his works. He creates a mysterious atmosphere by writing death, fantasy dreams, psychic events of spiritual empathy, mirroring vanity, etc. Kawabata Yasunari has a special preference for death. He was deeply influenced by the Buddhist concepts of "life and death" and "impermanence". In his works, death was the beginning, beautiful and ordinary. Secondly, Kawabata Kangcheng was good at constructing his literary world by embodying traditional culture. Go, women and other cultural symbols are "regular guests" in their works. These symbols do not simply pile up, but appear in a timely manner. Sometimes, they even play an important role in the text. The insertion of cultural symbols enriches the expression of the works. Finally, the poetic construction of the literary world of Sichuan Duan is inseparable from its aesthetics. In the pursuit of art, he tends to be "sad." his works are always filled with a light melancholy. This melancholy comes from the influence of the Japanese traditional aesthetic pursuit of "object mourning." the nature he writes about is the nature in which the characters breathe and share destiny, and the interaction between things and feelings. He writes about the love between men and women, the ending of which is not satisfactory, but the feelings transcend the secular morality. Thus, his melancholy was not a decadent depression, but a reconciliation of beauty and reality, that is, the "neutralization" of Confucianism. It is the "delicate poetic" and "moral and ethical value of cultural thought" contained in Sichuan Duan literature, which are full of mysterious and melancholy narrative characteristics, which set up a bridge between "the spirit of the East and the West" 3.Study on Sichuan. The oriental nature of Duan Kang Cheng's literature can reveal the reason why Kawabata Kangcheng literature has become a classic in the world. It can also provide a reference model for oriental literature to the world.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.074

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