论泰国华文女作家梦莉的身份建构

发布时间：2018-03-28 02:34

本文选题：梦莉　切入点：身份建构　出处：《广西师范大学》2016年硕士论文

【摘要】：海外华文文学领域,随着女性知识群体的出现与壮大,华文女作家的队伍和文学成就越来越引人注目。20世纪七八十年代,东南亚华文文坛迎来女性创作的兴盛期。近年,虽然海外华文女性文学研究越来越受到国内学界重视,研究成果显著,但是东南亚女性文学却没有得到海外华文(女性)文学研究应有的关注和思考。泰国华文文坛的女作家及其作品数量和质量有了明显提高,至今却几乎还没有出现对她们的整体研究,个案研究也不多。梦莉80年代初登上泰华文坛,在泰华女作家群体中是学界研究频率最高的一个。学界主要探讨梦莉散文写作的思想内容、文化内涵、艺术特色。本文结合文化研究和女性主义文学批评理论,在相关文本细读的基础上,研究梦莉及其文学创作,探究梦莉的文学特质、文化经验及性别意识在其身份建构中起到的作用,促进海外华文女性文学及中国当代女性文学的发展。全文分为四章进行论述：第一章,探讨梦莉的文学特质与身份建构的关系。梦莉选择散文文体写作,散文的思想内容书写记忆和情感,散文的艺术特色继承了中国古典散文的朴实美风格和表现形式,融汇了中国古典绘画技巧和戏曲的性别置换策略,以及她使用华文写作,这些文学特质都包含了梦莉对自身文学身份和女性自我身份的建构。第二章,探析梦莉基于中泰两国文化经验的文化身份建构。梦莉在中泰两国地理空间积累了文化经验,在中泰文化的交互影响下,形成了双重的文化身份。第三章,论述梦莉的性别意识对身份建构的作用。梦莉在父权制社会下,遭受女性身份被歪曲、女性权利缺失这样的生存困境。梦莉在女性自我意识觉醒的前提下,通过建立自己的事业和进行业余文学创作,得到来自自身和外界的认同,从真正意义上重新建构了女性的自我身份。第四章,综论梦莉身份建构研究对海外华文女性文学以及中国当代女性文学发展的现实意义。梦莉散文个人化写作的局限性以及后期对此的突破,提示海外华文女作家应该跳出个人化写作的封闭空间,站在全球化的大背景下,开拓更广阔的题材,提升作品的思想穿透力。梦莉用散文文体写作,写作中建立女性社会群体意识以及营造男女两性的和谐关系,让完整的自我身份在外界和自身的双重确证中得以建构。中国现当代女性文学应当借鉴梦莉的这些写作策略,突围身体写作带来的局限和困境。
[Abstract]:In the field of overseas Chinese literature, with the emergence and expansion of the female knowledge group, the ranks and literary achievements of Chinese women writers have become more and more noticeable. In the 1970s and 1980s, the Southeast Asian Chinese literary world ushered in a prosperous period of female creation. In recent years, Although the study of overseas Chinese women's literature has been paid more and more attention to by the domestic academic circles, the research results have been remarkable. However, women's literature in Southeast Asia has not received the attention and consideration due to the study of overseas Chinese (female) literature. The quantity and quality of Thai Chinese writers and their works have improved markedly. So far, there has been almost no overall study of them, and there are few case studies. Mengli ascended the Taihua literary world in the early 1980s. Taihua female writers group is the most frequently studied in academic circles. The academic circles mainly discuss the ideological content, cultural connotation and artistic characteristics of Mengli's prose writing. This paper combines cultural research with feminist literary criticism theory. On the basis of careful reading of relevant texts, this paper studies Monroe and her literary creation, and explores the role of her literary characteristics, cultural experience and gender consciousness in the construction of her identity. To promote the development of overseas Chinese female literature and contemporary Chinese female literature. The thesis is divided into four chapters: chapter one discusses the relationship between Mengli's literary characteristics and identity construction. The artistic characteristic of prose inherits the simple and beautiful style and expression form of Chinese classical prose, combines the Chinese classical painting technique and the gender replacement strategy of opera, and she writes in Chinese. All of these literary characteristics include the construction of Mengli's own literary identity and female self-identity. Chapter two is about the cultural identity construction of Mengli based on the cultural experience of China and Thailand. Mengli has accumulated cultural experience in the geographical space of China and Thailand. Under the interaction of Chinese and Thai culture, a double cultural identity has been formed. Chapter three discusses the role of Monroe's gender consciousness in identity construction. In the patriarchal society, Mengli suffers from the distortion of female identity. On the premise of the awakening of women's self-consciousness, through the establishment of her own career and amateur literary creation, Monroe has been recognized by herself and the outside world. In the real sense, it reconstructs the self-identity of women. On the realistic significance of the study of Mengli's identity construction to the development of overseas Chinese women's literature and contemporary Chinese women's literature, the limitation of Mengli's prose personal writing and its later breakthrough, It is suggested that overseas Chinese female writers should jump out of the closed space of individualized writing, stand in the background of globalization, open up broader themes and enhance the ideological penetration of their works. In writing, we should establish the consciousness of women's social group and build a harmonious relationship between men and women, so that the complete self-identity can be constructed in both the external and the self-corroboration. Chinese modern and contemporary women's literature should draw lessons from the writing strategies of Mengli. The limitations and dilemmas brought about by breaking through body writing.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I336.076

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