“视觉转向”与文学经典“再经典化”的演化逻辑——兼及建构“视觉批评学”之可能

发布时间：2018-03-30 02:03

  本文选题：文学经典　切入点：视觉转向　出处：《南京社会科学》2017年04期

【摘要】：文学经典作为一个民族文化品格与审美精神的承载符号,在"视觉转向"的文化语境中产生了与视觉时代相契合的审美转向。由语言表意向影像呈现的载体更迭不仅意味着经典文本阐释空间与意义生成策略的改变,同时也预示着经典评判机制与审美属性的内在革新,由此衍化出"再经典"与"泛经典"两种主要形态。而文学经典的视觉传播作为文学发展的现代生长点,无疑依循于经典传承与视觉时代的双重逻辑,由此导向了一种文学文本视觉阐释的新模式,从而使得建构现代意义上的视觉批评得以可能。
[Abstract]:As a symbol of national cultural character and aesthetic spirit, literary classics, In the cultural context of "visual turn", there has been an aesthetic turn that coincides with the visual era. The change of the carrier of the intended image of the language table means not only the change of the interpretation space and the strategy of meaning generation of the classical text, but also the change of the meaning generation strategy of the classical text. At the same time, it also indicates the inherent innovation of the classical judgment mechanism and aesthetic attributes, thus leading to the two main forms of "re-classic" and "pan-canon". The visual communication of literary classics is the modern growing point of literary development. Undoubtedly, it follows the dual logic of classical inheritance and visual age, which leads to a new mode of visual interpretation of literary texts, which makes it possible to construct visual criticism in the modern sense.
【作者单位】： 安徽农业大学人文社会科学学院;复旦大学中文系;
【基金】：国家社科基金重点项目“‘语言学转向’与视觉方法论研究”(15AZW003) 安徽省哲学社会科学规划项目“明清新安刻本中的图像传播机制研究”(AHSKQ2016D132) 中国第57批博士后基金面上项目“现代视觉艺术的互文图谱研究”(2015M571472)的阶段性成果
【分类号】：I106;J905
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本文编号：1683847