从《至爱》探析莫里森笔下的魔幻现实主义叙事策略

发布时间：2018-04-03 05:35

  本文选题：托尼·莫里森　切入点：《至爱》　出处：《浙江师范大学学报(社会科学版)》2016年01期

【摘要】：莫里森在《至爱》里采用魔幻现实主义叙事策略,从悬念设置、荒诞手法、意识流式蒙太奇三个方面把美国后奴隶制时代的黑人生存空间描写得荒诞古怪、人鬼难辨,抨击了奴隶制的反人类性。她以平行蒙太奇、交叉蒙太奇和颠倒蒙太奇的方式把人物的意识流片段嵌入小说情节的发展之中,促成了时空与场景的不断变换,消解了平铺直叙的乏味感。莫里森把超现实主义的形式和内容高度和谐地统一起来,极大地促使黑人文学艺术中美学意识的升华。
[Abstract]:Morrison uses magic realism narrative strategy in "beloved", depicting black living space in the post-slavery era in America in three aspects: suspense, absurdity and stream of consciousness montage.Attacked the antihuman nature of slavery.In the way of parallel montage, cross montage and reverse montage, she embed the stream of consciousness of the characters into the development of the novel plot, which contributed to the constant change of time and space and the scene, and dispelled the sense of boredom.Morrison harmoniously unifies the form and content of surrealism, which greatly promotes the sublimation of aesthetic consciousness in black literature and art.
【作者单位】： 上海大学外国语学院;
【基金】：国家社会科学基金项目“非裔美国城市自然主义小说之性恶书写研究”(14BWW074)
【分类号】：I712.074
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本文编号：1703882