中国马克思主义莎评的发展轨迹

发布时间：2018-04-13 01:32

本文选题：中国 + 马克思主义　；参考：《华东师范大学学报(哲学社会科学版)》2017年03期

【摘要】：中国的马克思主义莎评在中国的莎士比亚研究中独树一帜,以茅盾、杨晦、赵澧、方平、杨周翰、卞之琳、孟宪强、孙家阚、张泗洋、王元化等十位先贤为代表,运用马克思主义的基本观点和方法论阐释莎士比亚的剧作,取得了卓越的成就。他们先后经历了从20世纪30年代至今80多年的历程,其思想伴随着政治风云的变幻而变化。在最初的革命年代,学者们倡导革命文学,追随苏联的马克思主义莎评,形成了阶级分析的模式,强调现实主义。"文革"前后,关注阶级性、现实性和人民性,同时难免有"左"的倾向,把文学当成工具,为政治服务。20世纪80年代以来,逐渐淡化政治色彩,步入学理的境界,以马克思主义美学的理念分析莎剧,从社会学批评转向文艺学批评。
[Abstract]:The criticism of Marxism in China is unique in the study of Shakespeare in China. It is represented by Mao Dun, Yang Hui, Zhao Li, Fang Ping, Yang Zhouhan, Bian Zhilin, Meng Xianqiang, Sun Jia Kan, Zhang Siyang, Bian Zhilin, and other ten sages, including Mao Dun, Yang Hui, Zhao Li, Fang Ping, Yang Zhouhan, etc.Great achievements have been achieved in the interpretation of Shakespeare's plays in the light of Marxist basic viewpoints and methodology.They have experienced more than 80 years from 1930's to now, and their thoughts have changed with the change of political situation.In the early revolutionary era, scholars advocated revolutionary literature, followed the Soviet Union's Marxist criticism, and formed a class analysis model emphasizing realism. "Before and after the Cultural Revolution, attention was paid to the class nature, reality and people's character. At the same time, there was inevitably a tendency of "left". Literature was regarded as a tool to serve politics since the 1980s, gradually desalinating the political color and stepping into the realm of academic theory.To analyze Shakespeare's play with Marxist aesthetics, from sociological criticism to literary criticism.
【作者单位】：上海大学文学院;
【分类号】：I561.073

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