三岛由纪夫《禁色》论：有关“精神”与“肉体”的对立

发布时间：2018-05-24 23:17

本文选题：精神 + 肉体　；参考：《上海外国语大学》2017年硕士论文

【摘要】：《禁色》以“而立之年的总决算”作为创作目的,将作家三岛由纪夫自我的两个侧面整合统一,进行了详尽的分析。首先,从事艺术创造的,精神类型的自己,如何直面战后社会现实,克服肉体带来的劣等感,将肉体的美融入作品创作中。其次,如何将男色这一违背既有社会价值体系的性癖与战后社会对峙,并在日常生活中体现自己的价值观。通过对俊辅与悠一合作复仇的共犯关系的成立与瓦解的描写,这两个问题得到详尽的提示与解决。在描写的过程中,精神与肉体的二元对立浮出水面。与希腊美的意识相反,近代社会精神与肉体是处于分裂状态的。与战后社会现实对峙中,通过探讨这一分裂现象,三岛表达出了自己的美学思想。本论的目的:一,在战后与社会现实对峙中提出精神与肉体的分裂,指出肉体的异化概念的现实意义是什么。二,精神与肉体对立中产生的美学,具体有哪些意义。三,两者对立的意义,对进入三十岁的三岛由纪夫来说,对之后的创作有什么具体的影响。
[Abstract]:With the purpose of "the Total final account of the Age" as the creative purpose, the author integrates and unifies the two aspects of the writer, Yukio Miyashima, and makes a detailed analysis. First of all, engaged in artistic creation, the spiritual type of their own, how to face the post-war social reality, overcome the sense of inferiority brought by the body, the beauty of the body into the creation of works. Secondly, how to face the postwar society and embody their own values in daily life. Through the description of the establishment and disintegration of the accomplice relationship between Junfu and Youyi, these two problems are pointed out and solved in detail. In the process of description, the dual opposition between spirit and body emerges. Contrary to the consciousness of Greek beauty, the spirit and body of modern society are divided. In the confrontation with postwar social reality, Miandao expresses his aesthetic thought by discussing this split phenomenon. The purposes of this theory are as follows: first, in the postwar confrontation with the social reality, the author points out the division between the spirit and the body, and points out the practical significance of the concept of the alienation of the body. Second, what is the significance of aesthetics arising from the opposition between spirit and body. Third, the significance of the two opposing, into the thirty-year-old Mishima Yukio, what is the specific impact on the later creation.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.074

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